The Science Fiction and Fantasy Research Database

Texas A&M University Libraries

Search For:

Found 310 items on 13 pages.

Explain search syntax

Flag this page

View | Clear | Download | E-mail

Flag	Title
Flag This Row	Teen Horror: de Scream a It Follows Francaix, Pascal Aix-en-Provence: Rouge profond, 2020. 413 p. Subjects: HORROR FILMS; HORROR GENRE; YOUNG ADULT SF AND FANTASY Options: Download this record ; E-mail this record
Flag This Row	Teenagers and Teenpics, 1955-1960: Te Juvenilization of American Movies. Doherty, Thomas Patrick Ph. D. Dissertation, University of Iowa, 1984. 290 p. (DAI-A 46(2).) Subjects: ADOLESCENTS; AUDIENCES; EXPLOITATION FILM OR FICTION; HORROR FILMS; I WAS A TEENAGE WEREWOLF (1957) (FILM); JUVENILE DELINQUENTS; MOTION PICTURES; ROCK AND ROLL MUSIC; ROCK MUSIC; TEENAGERS Options: Download this record ; E-mail this record
Flag This Row	Teens, tweens and PG-13 scream queens: From 'Imaginary' to 'M3gan,' Blumhouse has found its niche in horror films geared to younger viewers. Faughnder, Ryan Los Angeles Times, March 6, 2024: E3. Subjects: AUDIENCES; BLUMHOUSE PRODUCTIONS; HORROR FILMS Options: Download this record ; E-mail this record
Flag This Row	Telltale Narrative, A: American Horror Film and Metacinema. Teague, Savanna R. Ph. D. Dissertation, Middle Tennessee State University, 2020. 92 p. (DAI-A 81(11)(E).) Subjects: BEHIND THE MASK: THE RISE OF LESLIE VERNON (2006) (FILM); HORROR FILMS; INTERTEXTUALITY; SCREAM (1996) (CRAVEN) (FILM); SCREAM 4 (SCRE4M) (2011) (CRAVEN) (FILM); WES CRAVEN'S NEW NIGHTMARE (1994) (CRAVEN) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Terror and Everyday Life: A History of Horror. Crane, Jonathan L. Ph.D. Dissertation, University of Illinois at Urbana-Champaign, 1991. 297pp. (DAI-A 52(7).) Subjects: AUDIENCES; FRANKENSTEIN (1931) (WHALE) (FILM); FRIDAY THE 13TH (1980) (CUNNINGHAM) (FILM); HORROR FILMS; HORROR GENRE; MOTION PICTURES; NOSFERATU, EINE SYMPHONIE DES GRAUENS (NOSFERATU: A SYMPHONY OF HORROR) (1922) (FILM); POSTMODERNISM; THEM! (1954) (DOUGLAS) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Terror, transnacionalizacion y taquilla: fantasmas y reivindicaciones en el cine latinoamericano contemporaneo, el caso de El espinazo del diablo de Guillermo del Toro. Gonzalez del Pozo, Jorge in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 65-82. Subjects: DEL TORO, GUILLERMO; ESPINAZO DEL DIABLO, EL (DEVIL'S BACKBONE, THE) (2001) (DEL TORO) (FILM); HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Thinking Through Fear in Film and Haunts. Bessette, Eliot Ph. D. Dissertation, University of California, Berkeley, 2020. 145 p. (DAI 82(5)(E).) https://escholarship.org/uc/item/9mz4c2sz Subjects: BABADOOK, THE (2014) (FILM); EMPATHY; FEAR; HALLOWEEN (1978) (CARPENTER) (FILM); HORROR FILMS; HORROR GENRE; M (1931) (FILM); MIDSOMMAR (2019) (FILM); MOTION PICTURES; SAVING PRIVATE RYAN (1998) (FILM); TEXAS CHAINSAW MASSACRE, THE (1974) (HOOPER) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Tracing Experimental Textures and Timbres in Horror Cinema: A Closer Look at William Friedkin's The Exorcist, Stanley Kubrick's The Shining, and Martin Scorsese's Shutter Island. Ale, Lea Master's Thesis, Arizona State University, 2021. 226 p. (MAI 83(2)(E).) Subjects: EXORCIST, THE (1973) (FILM); FRIEDKIN, WILLIAM; HORROR FILMS; KUBRICK, STANLEY; MOTION PICTURES; MUSIC; SCORSESE, MARTIN; SHINING, THE (1980) (FILM); SHUTTER ISLAND (2010) (FILM); SOUND DESIGN Options: Download this record ; E-mail this record
Flag This Row	Tracing the Shadows of Gothic Bach: An Overview of J.S. Bach's Keyboard Music in American Horror Films. Yang, Siyu Doctor of Musical Arts Dissertation, University of Nevada, Las Vegas, 2022. 62 p. (DAI-A 84(3)(E).) Subjects: BACH, JOHANN SEBASTIAN; DR. JEKYLL AND MR. HYDE (1931) (FILM); HANNIBAL (MOTION PICTURE); HORROR FILMS; MUSIC; SILENCE OF THE LAMBS, THE (1991) (DEMME) (FILM); TERMINAL MAN (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Transformed Land, The: Studies in American Gothic Narrative. Gross, Louis S. Ph. D. Dissertation, University of Pennsylvania, 1986. 195 p. (DAI-A 47(4).) Subjects: ALICE DOANE'S APPEAL (STORY); BROWN, CHARLES BROCKDEN; CITY OF NIGHT (NOVEL); COOPER, JAMES FENIMORE; ELSIE VENNER (NOVEL); FAMILY; FORBES, ESTHER; GOTHIC GENRE; HAWTHORNE, NATHANIEL; HOLMES, OLIVER WENDELL, SR.; HORROR FILMS; INTERVIEW WITH THE VAMPIRE (NOVEL); JAMES, HENRY; JOLLY CORNER, THE (STORY); LIGEIA (STORY); LIONEL LINCOLN (NOVEL); METAMORPHOSIS; MIRROR FOR WITCHES, A (NOVEL); NATIONAL IDENTITY; PERSONAL IDENTITY; POE, EDGAR ALLAN; RECHY, JOHN; RICE, ANNE; SEXUALITY; TERROR; UNITED STATES; WIELAND (NOVEL); WOMEN IN LITERATURE; WOMEN IN SF AND FANTASY Options: Download this record ; E-mail this record
Flag This Row	Transilvania-Cali-Bogota : "tropicalizacion" en tres peliculas de horror colombianas. RodrIguez, Gabriel Andres Eliaiek in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 163-182. Subjects: COLOMBIA; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Transmedial Ghosts: Paranormal Investigation from Photography to YouTube. Chabot, Kevin Ph. D. Dissertation, University of Toronto, 2019. 282 p. (DAI-A 81(5)(E).) Subjects: GHOSTS; HORROR FILMS; PARANORMAL; SUPERNATURAL; TELEVISION; TRANSMEDIA Options: Download this record ; E-mail this record
Flag This Row	Transnational Film Practices: Hollywood Remakes of South Korean Films and Preference on Genre Films. Lee, Jung Lim Ph. D. Dissertation, Claremont Graduate University, 2022. 194 p. (DAI-A 84(2)(E).) Subjects: GEOULSOGEURO (INTO THE MIRROR) (2003) (KIM) (FILM); HORROR FILMS; HORROR GENRE; JANGHWA, HONGRYEON (TALE OF TWO SISTERS, A) (2003) (KIM) (FILM); JUNGDOK (ADDICTED) (2002) (PARK) (FILM); LAKE HOUSE, THE (MAGIC POSTBOX, THE) (2006) (AGRESTI) (FILM); MELODRAMA; MIRRORS (2009) (AJA) (FILM); MOTION PICTURES; MY SASSY GIRL (2009) (SAMUELL) (FILM); OLDBOY (2013) (LEE) (FILM); OLDEUBOY (OLD BOY) (2003) (PARK) (FILM); POSSESSION (2009) (BERGVALL) (FILM); REMAKES; SIWORAE (MARE, IL) (2000) (LEE) (FILM); SOUTH KOREA; TRANSNATIONALISM; UNINVITED, THE (2009) (GUARD BROTHERS) (FILM); YEOPGIJEOGIN GEUNYEO (MY SASSY GIRL) (2001) (KWAK) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Transnational Horror Cinema: Bodies of Excess and the Global Grotesque, ed. by Sophia Siddique and Raphael Raphael. Raphael, Raphael; Siddique, Sophia New York: Springer, 2016. 246 p. Subjects: BODY; GENDER; GROTESQUE; HORROR FILMS; HORROR GENRE; MOTION PICTURES; RACE Options: Download this record ; E-mail this record
Flag This Row	Tube of Horrors: The Cinematic Vision of Television as a Purveyor of Evil. Wainer, Alex M., Jr. Master's Thesis, Regent University, 1990. 82 p. (MAI 31(3): 1019. Fall 1993.) Subjects: EVIL; HORROR FILMS; MOTION PICTURES; SCIENCE FICTION; TELEVISION Options: Download this record ; E-mail this record
Flag This Row	Two new films challenge the rules of horror: Directors of 'Handling the Undead' and 'In a Violent Nature' aim for more than gore. Aguilar, Carlos Los Angeles Times, June 5, 2024: E3. Subjects: HANTERINGEN AV ODODA (HANDLING THE UNDEAD) (2024) (FILM); HORROR FILMS; IN A VIOLENT NATURE (2024) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Uncanny of Early Sound Film, The: Classic Horror Cinema and the Return of the Medium-Sensitive Viewer. Spadoni, Robert Ph. D. Dissertation, University of Chicago, 2003. xi, 271 p. (DAI-A 64(7).) Subjects: AUDIENCES; DRACULA (1931) (BROWNING) (FILM); FRANKENSTEIN (1931) (WHALE) (FILM); HORROR FILMS; MOTION PICTURES; MUMMY, THE (1932) (FREUND) (FILM); SOUND; SPECTATORS; WHITE ZOMBIE (1932) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Uncontrollably Herself: Deleuze's Becoming-woman in the Horror Films of Michael Almereyda. O'Connor, Tom Horror Studies 1(1): 111-128. 2010. Subjects: ALMEREYDA, MICHAEL; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Unfinished Business: The New Wave of Women's Horror Cinema. Vena, Dan Ph. D. Dissertation, Queen's University (Canada), 2018. 192 p. (DAI-C 77(11).) Subjects: AMERICAN MARY (2012) (FILM); AUDIENCES; BODY; CANADA; CARRIE (2013) (PEIRCE) (FILM); FINAL GIRL (CHARACTER TYPE); HORROR FILMS; HORROR GENRE; JENNIFER'S BODY (2009) (FILM); MOTION PICTURES; SPECTATORS; TWILIGHT (2008) (FILM); UNITED STATES; WOMEN IN FILMS OR TELEVISION Options: Download this record ; E-mail this record
Flag This Row	Unnaturalness of 'The Maternal Instinct', The: Undoing Traditional Motherhood in 21st Century Horror. Dugan, Samantha Master's Thesis, Villanova University, 2022. 90 p. (MAI 83(12)(E).) Subjects: AMENABAR, ALEJANDRO; BABADOOK, THE (2014) (FILM); HORROR FILMS; KENT, JENNIFER; MAMA (2013) (FILM); MOTHERHOOD; MOTHERS; MUSCHIETTI, ANDRES 'ANDY'; OTHERS, THE (OTROS, LOS) (2001) (AMENABAR) (FILM); TRAUMA Options: Download this record ; E-mail this record
Flag This Row	Uploadable Cinema, An: Digital Horror and the Postnational Image. Freeman, Mark in: Aldana Reyes, Xavier and Blake, Linnie, eds. Digital Horror: Haunted Technologies, Network Panic and the Found Footage. New York: I. B. Tauris, 2016. p. 107-120. Subjects: ; DE PALMA, BRIAN; DIARY OF THE DEAD (2007) (ROMERO) (FILM); HORROR FILMS; HORROR GENRE; MOTION PICTURES; POSTNATIONALISM; REDACTED (2007) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Us: A Film About 'Them'? Agarwal, Dev Vector 291: 47-51. Summer 2020. Subjects: HORROR FILMS; THE BURIAL OF KOJO (MOTION PICTURE); US (2019) (PEELE) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Violencia y su sombra, La : asomos al genero del horror en el cine colombiano : Vallejo, Mayolo, Ospina. Gomez Gutierrez, Filipe in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 281-299. Subjects: COLOMBIA; HORROR FILMS; HORROR GENRE Options: Download this record ; E-mail this record
Flag This Row	Watchers in the Woods: Meta-Horror, Genre Hybridify, and Reality TV Critique in The Cabin in the Woods. Woofter, Kristopher K. in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon. Syracuse, NY: Syracuse University Press, 2014. p. 268-279. Subjects: CABIN IN THE WOODS, THE (2011) (FILM); HORROR FILMS; TELEVISION; WHEDON, JOSS Options: Download this record ; E-mail this record
Flag This Row	Watching Monsters: The Horror of Racialized Monsters, Disabled Monsters, and Gender Nonconforming Monsters in Embodied Gothic Horror Films. Nixon, Jaynelle Ph. D. Dissertation, State University of New York at Buffalo, 2023. 244 p. (DAI-A 84(8)(E).) Subjects: 28 DAYS LATER (2002) (BOYLE) (FILM); BLACK FEMINISM; BLACK STUDIES (AFRICANA STUDIES); BODY; CANDYMAN (1992) (FILM); CULTURAL STUDIES; DISABILITIES; DISABILITY STUDIES; FREAKS (2018) (LIPOVSKY) (FILM); GENDER; GIRL WITH ALL THE GIFTS, THE (2016) (MCCARTHY) (FILM); HAND, THE (1981) (STONE) (FILM); HIS HOUSE (2020) (WEEKES) (FILM); HORROR FILMS; LET DEN RATTE KOMMA IN (LET THE RIGHT ONE IN) (2008) (FILM); MONSTERS; QUEER STUDIES; RACE; RACIALIZATION; SCANNERS (1981) (FILM); SKELETON KEY, THE (2005) (FILM); SWEETHEART (2019) (DILLARD) (FILM); TALES FROM THE CRYPT PRESENTS: DEMON KNIGHT (1995) (FILM); THING, THE (1982) (FILM); THING, THE (2011) (FILM); UPGRADE (2018) (FILM) Options: Download this record ; E-mail this record

Found 310 items on 13 pages.Show [25] [50] [100]  records per page.

Search Records by Subject: HORROR FILMS