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Flag This Row	De l'« opera de l'oeil » aux « films a sensation » : musique et theatralite aux sources de l'horreur cinematographique; From “Opera for the Eyes” to “Thrillers”: Music and Theatricality in Early Horror Films. Guido, Laurent Cinemas: Revue d'etudes cinematographiques/Journal of Film Studies 20(2-3): 13-40. Spring 2010. 40 https://www.erudit.org/en/journals/cine/2010-v20-n2-3-cine3973/045143ar/ Subjects: HORROR FILMS; HORROR GENRE; MOTION PICTURES; MUSIC Options: Download this record ; E-mail this record
Flag This Row	De los Carpatos a la Patagonia o la mudanza de los vampiros : gotico y exploitation cinema en Argentina. Olmedo, Nadina in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 230-244. Subjects: ARGENTINA; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	De Transilvania a Ayacucho : historias de vampiros y qarqachas. Cano Lopez, Jose C. in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 183-196. Subjects: HORROR FILMS; HORROR GENRE; MOTION PICTURES; VAMPIRES Options: Download this record ; E-mail this record
Flag This Row	Dead That Walk: Dracula, Frankenstein, the Mummy, and Other Favorite Movie Monsters. Halliwell, Leslie New York: Continuum, 1988. 261pp. Subjects: DRACULA; DRACULA (UNIVERSAL FILM SERIES); FRANKENSTEIN; FRANKENSTEIN (1931-1948) (UNIVERSAL FILM SERIES); FRANKENSTEIN (1957-1974) (HAMMER FILM SERIES); HAMMER FILMS; HORROR FILMS; MONSTERS; MOTION PICTURES; MUMMIES; MUMMY, THE (1932-1944) (UNIVERSAL FILM SERIES); MUMMY, THE (1959-1971) (HAMMER FILM SERIES); ZOMBIES Options: Download this record ; E-mail this record
Flag This Row	Death's Love Songs: The American Horror Film (1931-1936) and Its Embodiment of Romantic Gothic Conventions. [Record 2 of 3 for added subjects] Sevastakis, Michael Ph. D. Dissertation, New York University, 1979. 888 p. (DAI-A 40(5).) Subjects: HORROR FILMS; HORROR GENRE; INVISIBLE MAN, THE (1933) (FILM); INVISIBLE RAY, THE (1936) (FILM); ISLAND OF LOST SOULS (ISLAND OF DR. MOREAU, THE) (1932) (KENTON) (FILM); MAD LOVE (1935) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Desire for Transformation: The Actualization of Self-Identity Through Change in the Films Raw and Titane. Bradford, Owen R. Master's Thesis, Chapman University, 2023. 42 p. (MAI 84(11)(E).) Subjects: BODY HORROR (BIOLOGICAL HORROR); CANNIBALISM; DESIRE; DUCOURNAU, JULIE; FEMINISM; GENDER; GRAVE (RAW) (2016) (FILM); HORROR FILMS; IDENTITY; MONSTERS; MONSTROUS FEMININE; SEX; TITANE (2021) (FILM); TRANSFORMATION; VIOLENCE Options: Download this record ; E-mail this record
Flag This Row	Digital Horror: Haunted Technologies, Network Panic and the Found Footage, Ed. by Xavier Aldana Reyes and Linnie Blake Aldana Reyes, Xavier; Blake, Linnie New York: I. B. Tauris, 2015. 179 p. Subjects: DIGITAL CULTURE; FOUND FOOTAGE GENRE; HORROR FILMS; HORROR GENRE; SPECIAL EFFECTS Options: Download this record ; E-mail this record
Flag This Row	Digital Witness: Found Footage and Desktop Horror as Post-cinematic Experience. Hallam, Lindsay In: Falvey, Eddie, Hickinbottom, Joe, and Wroot, Jonathan, eds. New Blood: Critical Approaches to Contemporary Horror. Cardiff: University of Wales Press, 2020. p. 183-200. Subjects: FOUND FOOTAGE GENRE; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Digital Witnessing and Trauma Testimony in Ghost Game: Cambodian Genocide, Digital Horror and the Nationalism of New Thai Cinema. Ainslie, Mary; Blake, Linnie in: Aldana Reyes, Xavier and Blake, Linnie, eds. Digital Horror: Haunted Technologies, Network Panic and the Found Footage. New York: I. B. Tauris, 2016. p. 69-79. Subjects: CAMBODIA; GHOST GAME (MOTION PICTURE); HORROR FILMS; HORROR GENRE; MOTION PICTURES; THAILAND Options: Download this record ; E-mail this record
Flag This Row	Directorial Self-fashioning in American Horror Cinema: George A. Romero, Wes Craven, Rob Zombie, Eli Roth, and the Masters of Horror. Kooyman, Ben Lewiston ; Lampeter : The Edwin Mellen Press, 2014. 313 p. Subjects: CRAVEN, WES; HORROR FILMS; HORROR GENRE; MOTION PICTURES; ROMERO, GEORGE A.; ROTH, ELI; ZOMBIE, ROB Options: Download this record ; E-mail this record
Flag This Row	Djinn in the Machine: Technology and Islam in Turkish Horror Film. Sahinturk, Zeynep in: Aldana Reyes, Xavier and Blake, Linnie, eds. Digital Horror: Haunted Technologies, Network Panic and the Found Footage. New York: I. B. Tauris, 2016. p. 95-106. Subjects: HORROR FILMS; HORROR GENRE; ISLAM; MOTION PICTURES; RELIGION; TECHNOLOGY IN FILM; TURKEY Options: Download this record ; E-mail this record
Flag This Row	Do Not Feed the Animals: An Ecocritical Perspective on Cinematic Animal Attack Narratives. Rooks, Isaac Ph. D. Dissertation, University of Southern California, 2019. 493 p. (DAI-A 82(6)(E).) Subjects: ALTERITY (CONCEPT); ANIMAL-HUMAN RELATIONS; APOCALYPSE; BIRDS, THE (1963) (FILM); BLACK WATER (2007) (FILM); CIVILIZATION; COMEDY; DAY OF THE ANIMALS (SOMETHING IS OUT THERE) (1977) (FILM); DOGS; ECOCRITICISM; ENVIRONMENT; FROGS (1972) (FILM); GHOST AND THE DARKNESS, THE (1996) (FILM); GREY, THE (2011) (FILM); HORROR FILMS; JAWS (1975) (FILM); JAWS (FRANCHISE); LONG WEEKEND (1978) (FILM); MONKEY SHINES (MONKEY SHINES: AN EXPERIMENT IN FEAR) (1988) (FILM); MOTION PICTURES; ORCA (1977) (FILM); PHASE IV (1974) (FILM); SCIENCE FICTION; SHALLOWS, THE (2016) (FILM); SHARKS; WILLARD (1971) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Domestic Dangers: Monstrous Women in the 19th-Century Gothic and Contemporary Horror Film. Gosse, Raelynn Ph. D. Dissertation, University of Texas at Austin, 2022. 167 p. (DAI-A 84(6)(E).) Subjects: BILLER, ANNA; BRADDON, MARY ELIZABETH; BRONTE, CHARLOTTE; DOMESTICITY; ELIOT, GEORGE; FEMININITY; FEMINIST THEORY; GOTHIC GENRE; HORROR FILMS; HORROR GENRE; JANE EYRE (NOVEL); LADY AUDLEY'S SECRET (NOVEL); LIFTED VEIL, THE (STORY); LOVE WITCH, THE (2016) (FILM); MANCINELLI, DUSTY; MONSTERS; SIMS-FEWER, MADELEINE; TAMMI, EMMA; VIOLATION (2020) (SIMS-FEWER AND MANCINELLI) (FILM); WIND, THE (2018) (TAMMI) (FILM); WOMEN IN SF AND FANTASY Options: Download this record ; E-mail this record
Flag This Row	Dread of Difference, The: Gender and the Horror Film, ed. by Barry K. Grant. Grant, Barry K. Austin, TX: University of Texas Press, 1996. 456 p. Subjects: GENDER; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Dreams on the Screen: An Exploration of Dario Argento's Greatest Nightmares. Bleacher, Matthew Master's Thesis, University of Delaware, 2020. 79 p. (MAI 82(4)(E).) Subjects: ARGENTO, DARIO; GENDER; HORROR FILMS; ITALY; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Embracing the Wound of Contingency: Transcribing Reality in Supernatural Horror and Found Footage. Dickerson, Mason Dax Master's Thesis, Chapman University, 2024. 71 p. (MAI 85(11).) Subjects: FOUND FOOTAGE GENRE; GRAVE ENCOUNTERS (2011) (VICIOUS BROTHERS (MINIHAN AND ORTIZ)) (FILM); HORROR FILMS; HORROR GENRE; LAKE MUNGO (2008) (ANDERSON) (FILM); SENRITSU KAIKI FILE KOWASUGI! (2012-2023) (FILM AND VIDEO SERIES); SUPERNATURAL Options: Download this record ; E-mail this record
Flag This Row	End of the Cycle, The: Universal's Horror and Science Fiction Films During the Critical Decade and After (1945-1960). Greene, Graham Kelly Master's Thesis, University of Texas, Austin, 1986. iii, 138 p. Subjects: HORROR FILMS; HORROR GENRE; MOTION PICTURES; SCIENCE FICTION; UNIVERSAL STUDIOS Options: Download this record ; E-mail this record
Flag This Row	Engendering Monstrosity: Feminine Monstrosity in Latin American Horror Films. [Record 1 of 2 for added subjects] Flores, Jessica Master's Thesis, Georgetown University, 2022. 70 p. (MAI 84(7)(E).) Subjects: BUSTAMANTE, JAYRO; CANNIBALISM; COLONIALISM; ESCALANTE, AMAT; FEMININITY; GRIEF; HORROR FILMS; HOW TASTY WAS MY LITTLE FRENCHMAN (COMO ERA GOSTOSO O MEU FRANCES) (1971) (FILM); LLORONA, LA (1933) (PEON) (FILM); LLORONA, LA (2019) (BUSTAMANTE) (FILM); LLORONA, LA (LEGEND) Options: Download this record ; E-mail this record
Flag This Row	Entre la carencia y el exceso : la construccion de una industria del cine de horror en Chile Reinaga, Lucia in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 359-376. Subjects: CHILE; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Entrevista: Benicio del Toro y el cine de horror. Diaz-Zambrana, Rosana in: Diaz-Zambrana, Rosana and Tome, Patricia, eds. Horrofilmico: aproximaciones al cine de terror en Latinoamerica y el Caribe. San Juan, Puerto Rico: Editorial Isla Negra, 2012. p. 453-455. Subjects: DEL TORO, BENICIO; HORROR FILMS; HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Erasing the B out of Bad Cinema: Remaking Identity in The Texas Chainsaw Massacre. Frost, Craig Colloquy: Text Theory Critique No. 18: 61-75. 2010. https://www.monash.edu/__data/assets/pdf_file/0003/1761357/frost.pdf Subjects: HORROR FILMS; HORROR GENRE; MOTION PICTURES; REMAKES; TEXAS CHAINSAW MASSACRE, THE (1974) (HOOPER) (FILM); TEXAS CHAINSAW MASSACRE, THE (2003) (NISPEL) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Estruturas do medo: tendências narrativas em Peele, Aster e Eggers / Structures of Fear: Narrative Tendencies in Peele, Aster and Eggers. Freitas, Tom Vitor de Master's Thesis, Universidade da Peira Interior (Portugal), 2021. 126 p. (MAI 84(5).) https://ubibliorum.ubi.pt/handle/10400.6/12011 (1,86 Mb) Subjects: ASTER, ARI; EGGERS, ROBERT; FEAR; GET OUT (2017) (FILM); HEREDITARY (2018) (FILM); HORROR FILMS; HORROR GENRE; LIGHTHOUSE, THE (2019) (FILM); MIDSOMMAR (2019) (FILM); NARRATIVE; PEELE, JORDAN; US (2019) (PEELE) (FILM); WITCH, THE: A NEW ENGLAND FOLKTALE (VVITCH, THE) (2015) (EGGERS) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Eudaimonia and Horror Film Viewing Patterns across the Life Span. Day, Danielle Ph. D. Dissertation, Keiser University (Florida), 2020. 90 p. (DAI-A 81(8)(E).) Subjects: AUDIENCES; HORROR FILMS; MOTION PICTURES; MOTIVATION Options: Download this record ; E-mail this record
Flag This Row	Examination of Zombie Film Narratives in Relation to Biblical Symbolism and Rhetoric. Purdie, Ivy C. Master's Thesis, California State University, Los Angeles, 2019. 132 p. (MAI 81(2)(E).) Subjects: BIBLE; HORROR FILMS; MOTION PICTURES; THEMES; ZOMBIES Options: Download this record ; E-mail this record
Flag This Row	Exorcist, The: Studies in the Horror Film, ed. by Danel Olson. Olson, Danel Lakewood, CO: Centipede Press, 2011. 516 p. Subjects: EXORCIST, THE (1973) (FILM); HORROR FILMS Options: Download this record ; E-mail this record

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