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Flag This Row	Deserts and Technical Legality Tranter, Kieran in: Tranter, Kieran. Living in Technical Legality. Edinburgh: Edinburgh University Press, 2018. p. 190-193. Subjects: DESERTS; LAW; MAD MAX (FRANCHISE); TECHNOLOGY Options: Download this record ; E-mail this record
Flag This Row	George Miller's Mad Max (1979-2015) and Ryan Griffen's Cleverman (2016-2017). Menadue, Christopher B. In: Fennell, Jack, ed. Sci-Fi: A Companion. New York: Peter Lang, 2019. p. 117-124. Subjects: AUSTRALIA; CLEVERMAN (TV); INDIGENOUS PEOPLES; MAD MAX (FRANCHISE) Options: Download this record ; E-mail this record
Flag This Row	Heroism and Redemption in the Mad Max Trilogy. Barbour, Dennis H. Journal of Popular Film and Television 27(3): 28-35. Fall 1999. Subjects: MAD MAX (1979) (FILM); MAD MAX (FRANCHISE); MAD MAX 2 (ROAD WARRIOR, THE) (1981) (FILM); MAD MAX BEYOND THUNDERDOME (1985) (FILM) Options: Download this record ; E-mail this record
Flag This Row	His Director's Chair Needs a Seat Belt: Back with 'Fury Road' Prequel 'Furiosa,' George Miller Reflects on Story and Nonstop Action. Turan, Kenneth Los Angeles Times May 19,2024: E2-E3. Subjects: FURIOSA: A MAD MAX SAGA (2024) (FILM); MAD MAX (FRANCHISE); MILLER, GEORGE Options: Download this record ; E-mail this record
Flag This Row	Mad Max and Mapping the Monsters in the Networks Tranter, Kieran in: Tranter, Kieran. Living in Technical Legality. Edinburgh: Edinburgh University Press, 2018. p. 164-189. Subjects: LAW; MAD MAX (FRANCHISE); TECHNOLOGY Options: Download this record ; E-mail this record
Flag This Row	Mad Max Effect, The: Road Warriors in International Exploitation Cinema. Newton, James E. New York, Bloomsbury, 2021. 224 p. Subjects: APOCALYPSE; DYSTOPIA; EXPLOITATION FILM OR FICTION; MAD MAX (FRANCHISE); MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Mad Max Movies (1979-1985): Interview with George Miller, Terry Hayes, George Ogilvie and Mel Gibson. Lofficier, Jean-Marc; Lofficier, Randy in: Goldberg, Lee et al. Science Fiction Filmmaking in the 1980s. Jefferson, NC: McFarland, 1995. pp.133-174. Subjects: GIBSON, MEL; HAYES, TERRY; INTERVIEWS; MAD MAX (FRANCHISE); MILLER, GEORGE; OGILVIE, GEORGE Options: Download this record ; E-mail this record
Flag This Row	Mad Max. Rauscher, Andreas In: Koebner, Thomas, ed. Filmgenres: Science Fiction. Stuttgart: Reclam, 2003. p. 338-346. Subjects: MAD MAX (1979) (FILM); MAD MAX (FRANCHISE); MAD MAX 2 (ROAD WARRIOR, THE) (1981) (FILM); MAD MAX BEYOND THUNDERDOME (1985) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Mad Max: ultraviolence dans le cinÃ©ma (1), Zed, Melvin Gif sur Yvette: Rififi, 2022. 432 p. Subjects: MAD MAX (FRANCHISE) Options: Download this record ; E-mail this record
Flag This Row	Not Things: Gender and Music in the Mad Max Franchise. Mumme, Lisa P. Master's Thesis, The University of Iowa, 2019. 85 p. (MAI 81(2)(E).) Subjects: GENDER; MAD MAX (1979) (FILM); MAD MAX (FRANCHISE); MAD MAX: FURY ROAD (2015) (FILM); MUSIC Options: Download this record ; E-mail this record
Flag This Row	Raggedy Men: Masculinity in the MAD MAX Films. Crago, Ezekiel New York: Peter Lang, 2020. 224 p. Subjects: MAD MAX (FRANCHISE); MASCULINITY Options: Download this record ; E-mail this record
Flag This Row	Sound and Music in the Mad Max Trilogy Coyle, Rebecca In: Hayward, Philip, ed. Off the Planet: Music, Sound and Science Fiction Cinema. Bloomington: Indiana University Press, 2004. p. 109-128. Subjects: MAD MAX (FRANCHISE); MUSIC Options: Download this record ; E-mail this record
Flag This Row	The Transformation of Mad Max; Reluctant Savior in a Devastated Landscape Lamb, Patricia F. Popular Culture Review 3(2): 47-54. August 1992. Subjects: MAD MAX (FRANCHISE) Options: Download this record ; E-mail this record
Flag This Row	Time that Binds, The: Science Fiction Cinema and the Social Experience of Time. Stevenson, Corey Master’s Thesis, Carleton University (Canada), 2006. v, 109 p. Subjects: 12 MONKEYS (TWELVE MONKEYS) (1995) (GILLIAM) (FILM); ALIEN (FRANCHISE); BLADE RUNNER (1982) (FILM); CINQUIEME ELEMENT, LE (FIFTH ELEMENT, THE) (1997) (FILM); MAD MAX (FRANCHISE); METROPOLIS (1927) (FILM); MOTION PICTURES; PARIS QUI DORT (RAYON DE LA MORT, LE) (CRAZY RAY, THE) (PARIS ASLEEP) (1924) (CLAIR) (SILENT FILM); SCIENCE FICTION; STAR TREK (FILM SERIES); STAR TREK (FRANCHISE); TERMINATOR (FILM SERIES); THINGS TO COME (1936) (MOTION PICTURE); TIME; TIME MACHINE, THE (1960) (FILM); VOYAGE DANS LA LUNE, LE (TRIP TO THE MOON, A) (1902) (SHORT FILM) Options: Download this record ; E-mail this record
Flag This Row	What If We Were Savage? Mad Max Transmedia as Speculative Anthropology. Chavez, William S.; Sriram, Shyam The Journal of Religion and Popular Culture 35(1): 21-35. April 2023. https://doi.org/10.3138/jrpc.2020-0063 Subjects: ANTHROPOLOGY; MAD MAX (FRANCHISE); TRANSMEDIA Options: Download this record ; E-mail this record
Flag This Row	You're History, Buddy: Postapocalyptic Visions in Recent Science Fiction Film. Fitting, Peter in: Slusser, George and Eric S. Rabkin, eds. Fights of Fancy: Armed Conflict in Science Fiction and Fantasy. Athens, GA: University of Georgia Press, 1993. pp.114-131. Reprinted in: Fitting, Peter. Utopian Effects, Dystopian Pleasures. New York: Peter Lang, 2021. p,325-344. Subjects: MAD MAX (FRANCHISE); MOTION PICTURES; ROBOCOP (1987) (FILM); TERMINATOR, THE (1984) (FILM); WAR Options: Download this record ; E-mail this record

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