Grmusa, Lovorka Gruic
Open Cultural Studies 1: 257-269. January 2017.
Land, Robin J.
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Williams, Lisa E.
In: Carranza, Ashley J. Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998–2019. Jefferson NC: McFarland, 2021. p. 74-87.
Conway, Cathleen A.
In: Bacon, Simon, ed. The Transmedia Vampire: Essays on Technological Convergence and the Undead. Jefferson NC: McFarland, 2021 p. 47-59.
Armendarez, Jessica
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Namow, Tyson
Colloquy: text theory critique No. 21: 144-157. November 2011. https://www.monash.edu/__data/assets/pdf_file/0006/1764213/namow-1.pdf
Kelley, N. Megan
New Global Studies 15(2-3): 227-254. 2021. DOI:10.1515/ngs-2021-0011
Sublette, Cammie. M.
In: Peabody, Bruce and Pastorino, Gloria, eds. Beyond the Living Dead: Essays on the Romero Legacy. Jefferson, NC: McFarland, 2021. p. 143-154.
Lawtoo, Nidesh
Quarterly Review of Film and Video 37(2): 116-144. 2020. DOI: 10.1080/10509208.2019.1631692
Brown, Noel
Messengers from the Stars: On Science Fiction and Fantasy No. 2; 21-45. 2017. http://messengersfromthestars.letras.ulisboa.pt/journal/
Bahr, Petra
In: Frolich, Margrit, Middel, Reinhard, and Visarius, Karsten, eds. Nach dem Ende: Auflösung und Untergänge in Kino an der Jahrtausendwende. Marburg: Schuren, 2001. p. 9-24.
Thiel, Wolfgang
In: Henkel, Dennis and Wulff, Hans J., eds. Seuchen, Epidemien und Pandemien in Film: ein kaleidoskopisches Panorama zur Geschichte des Infektionfilms. New York, Waxman verlag, 2022. p. 205-218.
Ellis, Cameron A. J.
New Cinemas: Journal of Contemporary Film 16(1): 57-70. March 2018.
Sobchack, Vivian C.
In: Power, Aidan, ed. Die Zukunft ist jetzt: Science-Fiction-Kino als audio-visueller Entwurf von Geschichte(n), Räumen und Klängen. Berlin: Bertz + Fischer, 2016. p. 10-28.
Seckin, Banu K.
Ph. D. Dissertation, City University of New York, 2007. 152p . (DAI-B 67(12), June 2007.)
Goode, Tabitha
Camera Obscura No. 40/41: 40-41, 245-274. May 1997.
Burns, Fred
in: Slusser, George, ed. Shadows of the Magic Lamp. Carbondale: Southern Illinois University Press, 1985. pp. 112-121.
McCarty-Simas, Payton
Horror Studies 15(1): 55-68. 2024.
Mueller, Eddy Von
Ph. D. Dissertation, Emory University, 2006. 325 p. (DAI-A 67(11): 4018. May 2007)
Shipka, Danny
in: Shipka, Danny and Beliveau, Ralph, eds. International Horror Film Directors: Global Fear. Chicago: Intellect, 2017. p. 223-238.
No authors listed.
Frankfurt: Fischer, 1987. 245pp.
Walker, Johnny
New Review of Film and Television Studies 20(2): 194-219. 2022.
Science Fiction Chronicle 14(8): 5. May 1993.
Randerson, Middy
Houston Post Sect. B, pp.1, 3. November 2, 1988.
Moreland, Sean; Pervez, Summer
in: Ahmad, Aalya and Moreland, Sean, eds. Fear and Learning : Essays on the Pedagogy of Horror. Jefferson, NC: McFarland, 2013. p. 75-94.
Freeman, Sophie
Ph. D. Dissertation, University of Northumbira at Newcastle (UK), 2018. 284 p. (DAI-C 81(11)(E).) http://nrl.northumbria.ac.uk/39778/ (1 Mb)
Griffith, James J.
Ph. D. Dissertation, Ohio State University, 1984. 287pp.
Chenille, Vincent
in: Chenille, Vincent, Dolle, Marie, and Mellier, Denis, eds. Richard Matheson: il est une legende: actes du colloque de l'universite de Picardie Jules Verne et de la bibliotheque nationale de France, 9-10 decembre 2008. Amiens: UPJV. Universite de Picardie Jules Verne, 2011. p. 91-102.
Kennedy, Kara
Phoenix, AZ: Blue Key, 2024. 248 p.
Lay, Roger, Jr.
New Ray Bradbury Review No. 2: 74-82. 2010.
Koven, Mikel J.
in: Hand, Richard J./McRoy, Jay, eds. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester, UK: Manchester University Press, 2007. p. 157-171.
Eller, Jonathan R.
New Ray Bradbury Review No. 1: 35-60. 2008.
Maddrey, Joseph
Jefferson, NC: McFarland, 2021. 190 p.
Cook, John R.
in: Hunter, I. Q., ed. British Science Fiction Cinema. New York: Routledge, 1999. pp. 113-127.
Shaneen, Marianne
in: Hand, Richard J./McRoy, Jay, eds. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester, UK: Manchester University Press, 2007. p. 111-126.
Grant, Barry K.
in: Redmond, Sean and Marvell, Leon, eds. Endangering Science Fiction Film. New York: Routledge, 2016. p. 103-116.
Lu, Yaping
Journal of Comparative Literature and Aesthetics 45(4): 42-51. Winter 2022.
Warwick, Harry
Ph. D. Dissertation, University of Southampton (United Kingdom), 2018. 189 p. https://eprints.soton.ac.uk/427159/
Sopuck, Forrest A.
Cham: Palgrave Macmillan, 2021. 144 p.
Plax, Will Russell
Master's Thesis, University of California, Los Angeles, 1975. n.p.
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Irish Gothic Journal No. 15: 96-112. Autumn 2016.
Daniel, Adam
Edinburgh: Edinburgh Press, 2020. 226 p.
Ph. D. Dissertation, Western Sydney University (Australia), 2017. 285 p. (DAI-C 76(2)(E).).
Science Fiction Chronicle 19(9/10): 5. July/August 1998.
Bisschoff, Lizelle
Interventions: The International Journal of Postcolonial Studies 22(5): 606-623. July 2020.
Herbert, Emilie
In: Roche, David and Maury, Cristelle, eds. Women Who Kill: Gender and Sexuality in Film and Series of The Post-Feminist Era. New York: Bloomsbury Academic, 2020. p. 33-47.
Melnykovich, George
Short Film Studies 11(2): 221-231. September 2021.
Kilgore, De Witt D.
in: Telotte, J. P., ed. The Oxford Handbook of New Science Fiction Cinemas. New York: Oxford University Press, 2023. p. 23-37.
Jones, Stephanie Veronica-Marie
Ph. D. Dissertation, Syracuse University, 2022. 240 p. (DAI-A84(3)(E).)
Mezaguerra, Hilary R.
Studies in the Fantastic No. 16: 124-155. Winter/ Spring 2024.
Peirse, Alison
London : I.B. Tauris, 2013. 234 p.
Pavelich, Andrew
in: Grebowicz, Margret, ed. SciFi in the Mind's Eye : Reading Science Through Science Fiction. Chicago: Open Court, 2007. p. 185-198.
Hoffstadt, Christian; Schrey, Dominik
in: Hochscherf, Tobias; Leggott, James, eds. British Science Fiction Film and Television: Critical Essays. Jefferson, N.C. : McFarland, 20111. p. 28-39.
Li, Jinhua
in: Wright, Alan, ed. Film on the Faultline. Chicago: Intellect Books, 2015. p. 109-124.
Sears, Steven L.
In: Diak, Nicholas, ed. The New Peplum: Essays on Sword and Sandal Films and Television Programs Since the 1990s. Jefferson, NC: McFarland, 2021. p. 219-222.
Wendtke, Terrence R.
in: Wandtke, Terrence R., ed. The Amazing Transforming Superhero!: Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, NC: McFarland, 2007. p. 231-235.
Church, David
in: Hantke, Steffen, ed. American Horror Film: The Genre at the Turn of the Millennium. Jackson: University Press of Mississippi, 2010. p. 235-242.
Carroll, Noel
in: Schneider, Steven J., ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge, UK: Cambridge University Press, 2004. p. 257-270.
Zimmer, Catherine
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Leitch, Thomas
In: Cutchins, Dennis R. and Perry, Dennis R., eds. The Eternal Future of the 1950s: Essays on the Lasting Influence of the Decade’s Science Fiction Films. Jefferson NC: McFarland, 2023. p. 285-295.
Cavanaugh, Tim
Mother Jones 23(3): 71-73. May/June 1998.
Marsen, Sky
Semiotica 152(1/4): 141-157. 2004.
Gruszewska-Blaim, Ludmila
in: Blaim, Artur and Gruszewska-Blaim, Ludmila, eds. Imperfect Worlds and Dystopian Narratives in Contemporary Cinema. New York: Lang, 2011. p. 77-92.
Curtis, Richard
Locus 19(11):9-11. November 1986.
Locus 15(4):9,20. April 1982.
Locus 15(6):7,19. June 1982.
Lowins, Evelyne
Cinema D'aujourd'hui No. 7: 85-90. Spring 1976.
Korstanje, Maximiliano Emanuel
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Mallory, Michael
Milano: Rizzoli, 2013. 256 p.
Guerrero, Edward
Journal of Popular Film and Television 18(3): 86-93. Fall 1990.
Variety p. 2. August 9, 1972.
Standish, Isolde
in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 249-260.
Reif-Hulser, Monika
in: Petzold, Dieter, ed. Fantasy in Film und Literatur. Heidelberg: Universitatsverlag C. Winter, 1996. p. 55-70. (Anglistik und Englischunterricht, Band 59)
Larson, Randall D.
Starlog 135:19-22, 44. October 1988.
Manchel, Frank
Rev. ed. New York: Watts, 1982. 87 p.
Clark, Virginia M.
Ph. D. Dissertation, Maryland, 1983. 182 p. (DAI 44A(10):3069)
Metuchen, NJ: Scarecrow Press, 1987. 155 p. (Based on the author's Ph. D. Dissertation._)
Garda, Ivan G.
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Jordan, Barry
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Martin, Nicolas; Riaux, Simon
Chambéry: ActuSf, 2022. 550 p.
Meehan, Paul
Jefferson NC: McFarland, 2023. 219 p.
Lewis, Thomas A.
Master's Thesis, University of Queensland, 1993. 187 p.
Cavedo, Keith
Ph.D. Dissertation, University of South Florida, 2010. 176 p. (DAI-A 71(10), April 2011.)
Moore, George
in: Graham, Elizabeth, ed. Meanings of Ripley: the Alien Quadrilogy and Gender. Newcastle upon Tyne: Cambridge Scholars, 2010. p. 12-31.
Hartwell, Rianne L.
Master's Thesis, West Chester University, 2011. 159 p.
Cartmell, Deborah; Hunter, I. Q.; Kaye, Heidi; Whelehan, Imelda
London: Pluto Press, 1999. 190 p.
Kuchler, Ulrike; Maehl, Silja; Stout, Graeme A.
New York : Bloomsbury Academic, 2015. 249 p.
Wilkinson, Gary
Vector No. 202: 18-21. November/December 1998.
Journal of Popular Film 3(1): 31-33. 1974.
Gill, John; Hoffman, Jens; Tawadros, Gilane
London : Institute of Contemporary Arts, 2006. 117 p.
Cornea, Christine
In: Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. New Brunswick NJ: Rutgers University Press, 2007. p. 175-207.
Frank, Michael C.
In: Hammond, Philip, ed. Screens of terror: Representations of war and terrorism in film and television since 9/11. Suffolk: Arima Publishing, 2011. p. 149-171.
Lincoln, Don
Baltimore: Johns Hopkins University Press, 2013. 196 p;.
Chibnall, Steve
in: Hunter, I. Q., ed. British Science Fiction Cinema. New York: Routledge, 1999. pp. 57-74.
Kuhn, Annette
London, Verso, 1999. 308pp.
London, New York: Verso, 1990. 231pp.
Koch, Markus
Munich: Diskurs Film Verlag Schaudig & Ledig, 2002. 337 p. (Based on the author Doctoral dissertation, Universitat Munchen, 2001.
Macek, Carl
Questar 2(1):20-25. November 1979.
Safford, Tony
Science-Fiction Studies 7(3): 297-299. November 1980.
Fonseca, Anthony J.; Goldsmith, Melissa U. D.; Willson, Paige A.
in: Brode, Douglas and Deyneka, Leah, eds. Dracula's Daughters: The Female Vampire on Film. Lanham: Scarecrow, 2013. p. 45-68.
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