Leitch, Thomas
In: Cutchins, Dennis R. and Perry, Dennis R., eds. The Eternal Future of the 1950s: Essays on the Lasting Influence of the Decade’s Science Fiction Films. Jefferson NC: McFarland, 2023. p. 285-295.
Cavanaugh, Tim
Mother Jones 23(3): 71-73. May/June 1998.
Marsen, Sky
Semiotica 152(1/4): 141-157. 2004.
Gruszewska-Blaim, Ludmila
in: Blaim, Artur and Gruszewska-Blaim, Ludmila, eds. Imperfect Worlds and Dystopian Narratives in Contemporary Cinema. New York: Lang, 2011. p. 77-92.
Curtis, Richard
Locus 19(11):9-11. November 1986.
Locus 15(4):9,20. April 1982.
Locus 15(6):7,19. June 1982.
Lowins, Evelyne
Cinema D'aujourd'hui No. 7: 85-90. Spring 1976.
Mallory, Michael
Milano: Rizzoli, 2013. 256 p.
Guerrero, Edward
Journal of Popular Film and Television 18(3): 86-93. Fall 1990.
No authors listed.
Variety p. 2. August 9, 1972.
Standish, Isolde
in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 249-260.
Reif-Hulser, Monika
in: Petzold, Dieter, ed. Fantasy in Film und Literatur. Heidelberg: Universitatsverlag C. Winter, 1996. p. 55-70. (Anglistik und Englischunterricht, Band 59)
Larson, Randall D.
Starlog 135:19-22, 44. October 1988.
Manchel, Frank
Rev. ed. New York: Watts, 1982. 87 p.
Clark, Virginia M.
Ph. D. Dissertation, Maryland, 1983. 182 p. (DAI 44A(10):3069)
Metuchen, NJ: Scarecrow Press, 1987. 155 p. (Based on the author's Ph. D. Dissertation._)
Garda, Ivan G.
in: Roas, David and Casas, Ana, eds. Visiones de lo fantastico en la cultura espanola (1900-1970). Benalmadena, Spain: e.d.b. libros, 2013. p. 185-208.
Jordan, Barry
in: Allmer, Patricia; Huxley, David; and Brick, Emily, eds. European Nightmares: Horror Cinema in Europe Since 1945. New York: Wallflower, 2012. p. 141-156.
Martin, Nicolas; Riaux, Simon
Chambéry: ActuSf, 2022. 550 p.
Lewis, Thomas A.
Master's Thesis, University of Queensland, 1993. 187 p.
Cavedo, Keith
Ph.D. Dissertation, University of South Florida, 2010. 176 p. (DAI-A 71(10), April 2011.)
Moore, George
in: Graham, Elizabeth, ed. Meanings of Ripley: the Alien Quadrilogy and Gender. Newcastle upon Tyne: Cambridge Scholars, 2010. p. 12-31.
Hartwell, Rianne L.
Master's Thesis, West Chester University, 2011. 159 p.
Cartmell, Deborah; Hunter, I. Q.; Kaye, Heidi; Whelehan, Imelda
London: Pluto Press, 1999. 190 p.
Kuchler, Ulrike; Maehl, Silja; Stout, Graeme A.
New York : Bloomsbury Academic, 2015. 249 p.
Wilkinson, Gary
Vector No. 202: 18-21. November/December 1998.
Sobchack, Vivian C.
Journal of Popular Film 3(1): 31-33. 1974.
Gill, John; Hoffman, Jens; Tawadros, Gilane
London : Institute of Contemporary Arts, 2006. 117 p.
Cornea, Christine
In: Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. New Brunswick NJ: Rutgers University Press, 2007. p. 175-207.
Frank, Michael C.
In: Hammond, Philip, ed. Screens of terror: Representations of war and terrorism in film and television since 9/11. Suffolk: Arima Publishing, 2011. p. 149-171.
Lincoln, Don
Baltimore: Johns Hopkins University Press, 2013. 196 p;.
Chibnall, Steve
in: Hunter, I. Q., ed. British Science Fiction Cinema. New York: Routledge, 1999. pp. 57-74.
Kuhn, Annette
London, Verso, 1999. 308pp.
London, New York: Verso, 1990. 231pp.
Koch, Markus
Munich: Diskurs Film Verlag Schaudig & Ledig, 2002. 337 p. (Based on the author Doctoral dissertation, Universitat Munchen, 2001.
München: Diskurs Film Verlag Schaudig & Ledig, 2002. 337 p.
Safford, Tony
Science-Fiction Studies 7(3): 297-299. November 1980.
Macek, Carl
Questar 2(1):20-25. November 1979.
Fonseca, Anthony J.; Goldsmith, Melissa U. D.; Willson, Paige A.
in: Brode, Douglas and Deyneka, Leah, eds. Dracula's Daughters: The Female Vampire on Film. Lanham: Scarecrow, 2013. p. 45-68.
Hattich, Achim
in: Gaisbauer, R. Gustav, ed. Phantastische Filmwelten: Sechster Kongress der Phantasie. Passau: Erster Deutscher Fantasy Club, 2005. p. 92-101.
Marez, Curtis
Journal of Visual Culture 3(3): 336-352. December 2004.
Naripea, Eva
Studies in Eastern European Cinema 1(2): 167-182. July 2010.
Sherman, Fraser A.
Jefferson, NC: McFarland, 2022. 251 p.
Johanson, MaryAnn
Internet Review of Science Fiction 3(3): [3 p.]. March 2006. (http://www.irosf.com/)
Moylan, Katie
in: Fritzsche, Sonja, ed. The Liverpool Companion to World Science Fiction Film. Liverpool, UK: Liverpool University Press, 2014. p. 157-171.
Cubitt, Sean; Sardar, Ziauddin
London: Pluto, 2001. 208pp.
Gallardo, Ximena C.
Science Fiction Film and Television 6(2): 219-251. Summer 2013.
Michael, Matthew
Humanities Bulletin 4(1): 168-201. May 2021.
Hougron, Alexandre
Cinémaction No. 108: 86-95. June 2003.
Umland, Rebecca A.; Umland, Samuel J.
Mythlore 23(3): 43-55. Summer 2001. (No. 89)
Dyer, P. J.
Films and Filming 4(10):13-15,34. July 1958.
Wingrove, David
in: Wingrove, David. Science Fiction Film Source Book. Harlow: Longman Green, 1985. pp. 311.
Frank, Alexandra C.
in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 339-353.
Evangelisti, Valerio
Napoli : L�ancora del Mediterraneo, 2001. 211 p.
Friedrich, Petra; Lorenz, Christoph
In: Hornlein, Frank and Heinecke, Herbert, eds. Zukunft im Film: Sozialwissenschaftliche Studie zu Star Trek und anderer Science-Fiction. Magdeburg: Scriptum Verlag, 2000. p. 13-30.
Friedrich, Petra; Lorenz, Christoph F.
in: Hoernlein, Frank and Heincke, Herbert, eds. Zukunft im Film: sozialwissenschaftliche Studien zu Star Trek und anderer Science Fiction. Magdeburg: Scriptum Verlag, 2000. p. 13-31.
Pitts, Michael R.
Jefferson, N.C.: McFarland, 2011. 246 p.
Egan, Kate
In: McKenna, Mark and Proctor, William, eds. Horror Franchise Cinema. New York: Routledge, 2022. p. 94-107.
Campbell, Ramsey
Fantasy Review 9(8):42-43. September 1986. also in: Campbell, Ramsey Ramsey Campbell, Probably: On Horror and Sundry Fantasies, ed. by S. T. Joshi. Harrogate, UK: PS Publishing, 2002. p. 80-87.
Sutton, Paul
Cambridge: Buffalo Books, 2018. 165 p.
Mandell, Paul
Cinefex 4: 32-71. April 1981.
Burns, Jeremy J.
Master's Thesis, University of Arkansas, 2009. 69 p. (MAI 48(1), February 2010)
Plantinga, Carl
New Brunswick: Rutgers University Press, 2020. 168 p.
Walters, James
Chicago, IL: Bristol, 2008. 232 p.
Menarini, Roy
in: Spanu, Massimiliano, ed. Science Plus Fiction: La fantascienza tra antiche visioni e nuove tecnologie. Torino: Lindau, 2001. p. 151-156.
Niderost, Eric
Starlog 176: 64-67. March 1992.
Willis, Andy
in: Hunt, Leon, Lockyer, Sharon, and Williamson, Milly, eds. Screening the Undead: Vampires and Zombies in Film and Television. London: I. B. Tauris, 2014. p. 233-248.
Alvares, Mariana Pontual Braga e
Master's Thesis, Universitario de Lisboa, 2021. [Dissertação de mestrado, Iscte - Instituto Universitário de Lisboa]. Repositório do Iscte. http://hdl.handle.net/10071/25006
Hill, Sherri
Master's Thesis, University of South Florida, 1994. iv, 45 p.
Mulliken, Seth
in: Bartkowiak, Mathew J., ed. Sounds of the Future: Essays on Music in Science Fiction Film. Jefferson, NC: McFarland, 2010. p. 88-99.
Mann, Craig I.
in: Gregersdotter, Katarina, Hoglund, Johan, and Hallen. Nicklas, eds. Animal Horror Cinema: Genre, History and Criticism. New York: Palgrave Macmillan, 2015. p. 110-125,
Norden, Martin F.
Film and History 12(1): 1-11. 1982.
Crace, Benjamin
Santa Barbara: ABC-CLIO, 2022. 317 p.
Szumskyj, Benjamin
Jefferson, NC: McFarland, 2008. 196 p.
Adatto, Kiku
Ph. D. Dissertation, State University of New York at Stony Brook, 1982. xi, 332 p.
Bradbury, Ray
Beverly Hills, CA: Center for Advanced Film Studies, c1978. 84 p. on 1 microfiche. (The American Film Institute Seminars, Pt. 1, No. 23)
Speilberg, Steven
Beverly Hills: Center for Advanced Film Studies, c1978. 85 p. on 1 microfiche. (American Film Institute Seminars, Pt. 1, No. 171)
Hasan, Zia
Ph. D. Dissertation, Oklahoma State University, 1980. 137 p.
Benson, Josef
In: Hand, Richard J., and McRoy, Jay, eds. Gothic Film: An Edinburgh Companion. Edinburgh: Edinburgh University Press, 2020. p. 194-205.
Navarro, Antonio J.
Donostia-San Sebasti�n: Patronato Municipal de Cultura de San Sebasti�n, 2007. 413 p.
Hantke, Steffen
Jackson: University Press of Mississippi, 2010. 253 p.
Britton, Andrew; Lippe, Richard; Williams, Tony; Wood, Robin
Toronto: Festival of Festivals, 1979. 99 p.
Zons, Raimar
in: Mamczak, Sascha and Jeschke, Wolfgang, eds. Das Science Fiction Jahr, 2006. Munchen: Heyne, 2006. p. 282-302.
McKnight, George
in: Schneider, Steven J./Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow, 2003. p. 212-229.
Seed, David
Edinburgh, UK: Edinburgh University Press, 1999. 216pp.
Knee, Adam
Ph.D. Dissertation, New York University, 1996. 447 p. (DAI 58(1): 8.)
Geraghty, Lincoln
New York: Berg, 2009. 156 p.
Iamandi, Petru
Cultural Intertexts 4: 96-103. 2015.
in: Seed, David, ed. A Companion to Science Fiction. Malden, MA: Blackwell, 2005. p. 261-274.
Joyce, Steve; Long, Harry; Nicolella, Henry; Soister, John T.
Jefferson, NC: McFarland, 2012. 2 Vols, 810 p.
Dodson, Will; Woofter, Kristopher K.
Austin: University of Texas Press, 2021. 270 p.
Hes, Jan
Amersfoort : Werkgroep 2000, 1966. 33 p.
Boz, Mikail; Takimci, Dilek
Akdeniz Iletisim Issue 31: 377-403. June 2019.
de Lisle, Nicolas J.
Ph. D. Dissertation, University of Sussex, 2005. 214 p. (DAI-C 70(40).)
Bryce, Allen
S.l. (UK): Stray Cat, 2000. 164pp.
Spellig, Ian
Starlog 297: 36-41. April 2002.
Kaufman, Roger
in: Kapell, Matthew W. and Pilkington, Ace G., eds. The Fantastic Made Visible: Essays on the Adaptation of Science Fiction and Fantasy from Page to Screen. Jefferson, NC: McFarland, 2015. p. 117-132.
Oliver, Sarah
London: John Blake, 2012. 249 p.
Sparks, Glenn G.
in: Weaver, James B., III and Tamborini, Ron, eds. Horror Films: Current Research on Audience Preferences and Reasctions. Mahwah, NJ: Erlbaum, 1996. pp.125-146.
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