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Flag This Row	From sacred to scientific: Epic religion, spectacular science and Charlton Heston's sf cinema Chambers, Amy C. Science Fiction Film and Television 12(3): 303-322. Autumn 2019. Subjects: ; HESTON, CHARLTON; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From SBIGs to Mildred's Inverse Law of Trailers: Skewing the Narrative of Horror Fan Consumption Laity, K. A. in: Hantke, Steffen, ed. Horror film: Creating and Marketing Fear. Jackson: University Press of Mississippi, 2004. p. 173-190. Subjects: HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From Siodmak to Schlingensief: The Return of History as Horror Lugt, Kris Vander In: Fisher, Jaimey, ed. Generic Histories of German Cinema: Genre and Its Deviations. Rochester, NY: Camden House, 2013. p. 157-172. Subjects: HORROR GENRE; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From Slavery to Sex: Commodifying Romance in the Zombie Film Basquait, Jennifer H. in: Szanter, Ashley and Richards, Jessica K., eds. Romancing the Zombie: Essays on the Undead as Significant "Other". Jefferson, NC: McFarland, 2017. p. 17-31. Subjects: MOTION PICTURES; SEX; SLAVERY; ZOMBIES Options: Download this record ; E-mail this record
Flag This Row	From Star Wars to Superman: Christ and Salvation in Science Fiction and Superhero Films. Papandrea, James Manchester NH: Sophia Institute Press, 2017. 335 p. Subjects: CHRISTIANITY; JESUS; MOTION PICTURES; RELIGION; SALVATION; SUPERHEROES Options: Download this record ; E-mail this record
Flag This Row	From Stories to Worlds- The Continuity of Marvel Superheroes from Comics to Film Sweeney, David Intentensies: The Journal of Cult Media No. 5: 133-151. Spring/Summer 20013. (http://intensitiescultmedia.com/) Subjects: COMICS; MOTION PICTURES; SUPERHEROES Options: Download this record ; E-mail this record
Flag This Row	From Sugar-Fueled Killer to Grotesque Gourmand: The Culinary Maturation of the Cinematic Serial Killer. Bernard, Mark in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 293-308. Subjects: FOOD; HORROR FILMS; HORROR GENRE; MOTION PICTURES; SERIAL KILLERS Options: Download this record ; E-mail this record
Flag This Row	From the Arizona Desert: I Was Mark Hammill's Stand-In. Copeland, Joe Starlog 65: 42-45. December 1982. Subjects: HAMILL, MARK; MOTION PICTURES; STAR WARS: EPISODE 6: RETURN OF THE JEDI (1983) (FILM) Options: Download this record ; E-mail this record
Flag This Row	From the Black Death to AIDS: Cinematic Visions and Community in Book of Days Blanch, Robert J. Extrapolation 48(2): 398-407. Summer 2007. Subjects: BOOK OF DAYS (MOTION PICTURE); MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From the Land Beyond Beyond: The Films of Willis O'Brien and Ray Harryhausen Rovin, Jeff New York: Berkley, 1977. 277pp. Subjects: HARRYHAUSEN, RAY; MOTION PICTURES; O'BRIEN, WILLIS Options: Download this record ; E-mail this record
Flag This Row	From the Red Shadows, Renaud, Jeff Starlog No. 370: 62-65. November 2008. Subjects: COMICS; HOWARD, ROBERT E.; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From the twisted mind of Kevin Yagher Hopkins, Tom Dayton (OH) Daily News May 5, 1985. in: NewsBank. Film and Television. 130:A2-A6. June 1985. Subjects: MOTION PICTURES; SPECIAL EFFECTS; YAGHER, KEVIN Options: Download this record ; E-mail this record
Flag This Row	From the Valley of the Hellmouth: Buffy’s Transition from Film to Television. Moss, Gabrielle Slayage No. 2, March 2001. [4 p.] (Online Resource: http://www.slayage.tv/) Subjects: BUFFY THE VAMPIRE SLAYER (1992) (KUZUI) (FILM); BUFFY THE VAMPIRE SLAYER (1997-2003) (TV); MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From Traditional Slasher to Fourth Wave: Fantastical Reconversion in The Final Girls and Happy Death Day. Berns, Fernando Gabriel Pagnoni; Fontao, Canela A. R.; Zarate, Mariana In: Frankel, Valerie E., ed. Fourth Wave Feminism in Science Fiction and Fantasy, Volume 1: Essays in Film Representation 2012-2019. Jefferson, NC: McFarland, 2019. p. 77-87. Subjects: HORROR FILMS; MOTION PICTURES; WOMEN IN SF AND FANTASY Options: Download this record ; E-mail this record
Flag This Row	From Trauma to Paranoia: Nuclear Weapons, Science Fiction, and History Hendershot, Cyndy Mosaic 32(4): 73-90. December 1999. Subjects: 20 MILLION MILES TO EARTH (MOTION PICTURE); ATOMIC BOMB; EARTH VS. THE FLYING SAUCERS (MOTION PICTURE); MONOLITH MONSTERS (MOTION PICTURE); MOTION PICTURES; NUCLEAR WAR; WAR Options: Download this record ; E-mail this record
Flag This Row	From Trauma Victim to Terrorist : Redefining Superheroes in Post-9/11 Hollywood . . . . . . . Hassler-Forest, Dan A. in: Berninger, Mark, Eche, Joche and Haberkorn, Gideon, eds. Comics as a Nexus of Culture: Essays on the Interplay of Media, Disciplines, and International Perspectives, ed. by Mark Berninger, Jochen Eche and Gideon Haberkorn. Jefferson, NC: McFarland, 2010. p. 33-44. Subjects: COMICS; MOTION PICTURES; SUPERHEROES Options: Download this record ; E-mail this record
Flag This Row	From Trickery to Discovery: Trajectories of Science Fiction Films Landon, Brooks Journal of the Fantastic in the Arts 2(2):3-9. Summer 1989. Subjects: MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From Undead Monster to Sexy Seducer: Physical Sex Appeal in Contemporary Dracula Films Rottenbucher, Donald Journal of Dracula Studies No. 6: [3 p.] 2004. (http://www.blooferland.com/drc/index.php?title=Journal_of_Dracula_Studies) Subjects: MOTION PICTURES; SEX; SEX APPEAL; STOKER, BRAM Options: Download this record ; E-mail this record
Flag This Row	From Victim to Savior: Women in Demonic Possession Films. Graham, Faith Master's Thesis, State University of New York at Buffalo, 2022. 67 p. (MAI 83(8)(E).) Subjects: DEMONS; EVIL DEAD (2013) (FILM); EXORCISM OF EMILY ROSE, THE (2005) (FILM); EXORCIST, THE (1973) (FILM); HORROR; HORROR FILMS; JENNIFER'S BODY (2009) (FILM); LAST EXORCISM, THE (2010) (FILM); MOTION PICTURES; POSSESSION; POSSESSION OF HANNAH GRACE, THE (CADAVER) (2018) (FILM); WOMEN Options: Download this record ; E-mail this record
Flag This Row	From Witch to Wicked: A Mutable and Transformational Sign Gray, Jessica Z. in: Stratyner, Leslie/Keller, James R., eds. Fantasy Fiction into Film: Essays. Jefferson, NC: McFarland, 2007. p. 163-177. Subjects: MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	From Women's Cinema to Women's Horror Cinema: Genre and Gender in the Twenty-First Century. Lupher, Sonia Ph. D. Dissertation, University of Pittsburgh, 2020. 233 p. (DAI-A 83 (6)(E).) Subjects: FEMINISM; FEMINIST THEORY; FILM FESTIVALS; HORROR; HORROR FILMS; MOTION PICTURES; WOMEN; WOMEN DIRECTORS AND PRODUCERS Options: Download this record ; E-mail this record
Flag This Row	From ‘sots-romanticism’ to rom-com: The Strugatskiis’ Monday Begins on Saturday as a film comedy Howell, Yvonne H. Science Fiction Film and Television 8(2): 127-143. 2015. Subjects: MONDAY BEGINS ON SATURDAY (MOTION PICTURE); MOTION PICTURES; STRUGATSKY, ARKADY; STRUGATSKY, BORIS Options: Download this record ; E-mail this record
Flag This Row	Frozen in Ice: Captain America's Arduous Journey to the Silver Screen Carter, David R. in: McEniery, Matthew J., Peaslee, Robert M., and Weiner, Robert G., eds. Marvel Comics into Film: Essays on Adaptations Since the 1940s. Jefferson, NC: McFarland, 2016. p. 129-137. Subjects: CAPTAIN AMERICA (COMIC); MARVEL COMICS; MOTION PICTURES Options: Download this record ; E-mail this record
Flag This Row	Frozen, The Grey, and the Possibilities of Posthumanist Horror. Keetley, Dawn in: Gregersdotter, Katarina, Hoglund, Johan, and Hallen. Nicklas, eds. Animal Horror Cinema: Genre, History and Criticism. New York: Palgrave Macmillan, 2015. p. 187-205. Subjects: ANIMALS; FROZEN (2013) (BUCK AND LEE) (ANIMATED FILM); GREY, THE (2011) (FILM); HORROR GENRE; MOTION PICTURES; POSTHUMANISM Options: Download this record ; E-mail this record
Flag This Row	Fulcanelli as a Vampiric Frankenstein and Jesus as his Vampiric Monster: The Frankenstein and Dracula Myths in Guillermo del Toro's Cronos. O'Brien, Brad in: Hand, Richard J., McRoy, Jay, eds. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester, UK: Manchester University Press, 2007. p. 172-180. Subjects: BIOLOGY IN SF; CRONOS (1992) (DEL TORO) (FILM); DRACULA; FRANKENSTEIN; HORROR GENRE; MOTION PICTURES; MUTATIONS Options: Download this record ; E-mail this record

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