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Flag This Row	"My hideous cinematic progeny": Rosemary's Baby, Eraserhead and Frankenstein. Leventer, Sarah in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 79-95. Subjects: ERASERHEAD (MOTION PICTURE); FRANKENSTEIN (1931) (FILM); FRANKENSTEIN (NOVEL); HORROR GENRE; MOTION PICTURES; ROSEMARY'S BABY (1968) (FILM); SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Death's Love Songs: The American Horror Film (1931-1936) and Its Embodiment of Romantic Gothic Conventions. Sevastakis, Michael Ph. D. Dissertation, New York University, 1979. 888 p. (DAI-A 40(5).) Subjects: BRIDE OF FRANKENSTEIN (1935) (FILM); DEVIL DOLL, THE (1936) (FILM); DR. JEKYLL AND MR. HYDE (1931) (FILM); DRACULA (1931) (BROWNING) (FILM); DRACULA'S DAUGHTER (1936) (FILM); FRANKENSTEIN (1931) (FILM); HORROR FILMS; INVISIBLE MAN, THE (1933) (FILM); INVISIBLE RAY, THE (1936) (FILM); Options: Download this record ; E-mail this record
Flag This Row	Horror Film, The: An Introduction. Worland, Rick Malden, MA: Blackwell, 2006. 324 p. Subjects: CAT PEOPLE (MOTION PICTURE); DRACULA (1931) (BROWNING) (FILM); FRANKENSTEIN (1931) (FILM); HALLOWEEN (1978) (FILM); HORROR FILMS; HORROR GENRE; INVASION OF THE BODY SNATCHERS (MOTION PICTURE); RE-ANIMATOR (MOTION PICTURE); TEXAS CHAINSAW MASSACRE, THE (1974) (HOOPER) (FILM) Options: Download this record ; E-mail this record
Flag This Row	James Whale's Frankensteins Reanimating the Great War. Gerblinger, Christiane Cineaction No. 82/83 2-9. Winter 2011. Subjects: BRIDE OF FRANKENSTEIN (1935) (FILM); FRANKENSTEIN (1931) (FILM); MOTION PICTURES; WHALE, JAMES Options: Download this record ; E-mail this record
Flag This Row	Making monsters: the philosophy of reproduction in Mary Shelley's Frankenstein and the Universal Films Frankenstein and The bride of Frankenstein. Hall, Ann C. in: Fahy, Thomas, ed. The Philosophy of Horror. Lexington: University of Kentucky Press, 2010. p. 212-228. Subjects: BRIDE OF FRANKENSTEIN (1935) (FILM); FRANKENSTEIN (1931) (FILM); FRANKENSTEIN (NOVEL); HORROR GENRE; MOTION PICTURES; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Man and Nature in the Horror Film. Zemanek, Timm Master's Thesis, York University (Canada), 1973. vi, 170 p. (MAI 40(7).) Subjects: CONQUEST OF SPACE, THE (1955) (FILM); DR. JEKYLL AND MR. HYDE (1941) (FILM); ENVIRONMENT; FRANKENSTEIN (1931) (FILM); HORROR FILMS; ISLAND OF LOST SOULS (1933) (FILM); NATURE; THING, THE (THING FROM ANOTHER WORLD, THE) (1951) (FILM); WAR OF THE WORLDS, THE (1953) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Monster and the Mob, The: A Critical Analysis of Fritz Lang's Fury (1936) and James Whale's Frankenstein (1931) Gehring, Wes D. Film Matters 112(2): 36-41. September 2021. Subjects: FRANKENSTEIN (1931) (FILM); FURY (1936) (FILM); LANG, FRITZ Options: Download this record ; E-mail this record
Flag This Row	Re-creating the Creature: Visions of Mary Shelley's Frankenstein. Ward, Sarah Screen Education No. 78: 72-77. Winter 2015. Subjects: ADAPTATIONS; BRIDE OF FRANKENSTEIN (1935) (FILM); FILM ADAPTATIONS; FRANKENSTEIN (1931) (FILM); FRANKENSTEIN (NOVEL); GHOST OF FRANKENSTEIN, THE (1942) (FILM); MONSTRO DI FRANKENSTEIN, IL (MONSTER OF FRANKENSTEIN, THE) (1920) (FILM); MOTION PICTURES; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Reflections of Science and Medicine in Two Frankenstein Adaptations: Frankenstein (Whale 1931) and Mary Shelley’s Frankenstein (Branagh 1994). Pheasant-Kelly, Fran Literature and Medicine 36(2): 312-336. Fall 2018. Subjects: FRANKENSTEIN (1931) (FILM); MARY SHELLEY'S FRANKENSTEIN (1994) (FILM); MEDICINE; SCIENCE IN SF; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Songs of Love and Death: The Classical American Horror Film of the 1930s. Sevastakis, Michael Westport, CT: Greenwood, 1993. 232pp. Subjects: BRIDE OF FRANKENSTEIN (1935) (FILM); DRACULA (1931) (BROWNING) (FILM); FRANKENSTEIN (1931) (FILM); HORROR FILMS; ISLAND OF LOST SOULS (1933) (FILM); MOTION PICTURES; MUMMY, THE (1932) (FILM); WHITE ZOMBIE (1932) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Terror and Everyday Life: A History of Horror. Crane, Jonathan L. Ph.D. Dissertation, University of Illinois at Urbana-Champaign, 1991. 297pp. (DAI-A 52(7).) Subjects: AUDIENCES; FRANKENSTEIN (1931) (FILM); FRIDAY THE 13TH (MOTION PICTURE); HORROR FILMS; HORROR GENRE; MOTION PICTURES; NOSFERATU, EINE SYMPHONIE DES GRAUENS (NOSFERATU: A SYMPHONY OF HORROR) (1922) (FILM); POSTMODERNISM; THEM! (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Uncanny of Early Sound Film, The: Classic Horror Cinema and the Return of the Medium-Sensitive Viewer. Spadoni, Robert Ph. D. Dissertation, University of Chicago, 2003. xi, 271 p. (DAI-A 64(7).) Subjects: AUDIENCES; DRACULA (1931) (BROWNING) (FILM); FRANKENSTEIN (1931) (FILM); HORROR FILMS; MOTION PICTURES; MUMMY, THE (1932) (FILM); SOUND; SPECTATORS; WHITE ZOMBIE (1932) (FILM) Options: Download this record ; E-mail this record

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