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Flag This Row	"My hideous cinematic progeny": Rosemary's Baby, Eraserhead and Frankenstein. Leventer, Sarah in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 79-95. Subjects: ERASERHEAD (MOTION PICTURE); FRANKENSTEIN (1931) (FILM); FRANKENSTEIN (NOVEL); HORROR GENRE; MOTION PICTURES; ROSEMARY'S BABY (1968) (FILM); SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Horror Film, The: An Introduction. Worland, Rick Malden, MA: Blackwell, 2006. 324 p. Subjects: CAT PEOPLE (MOTION PICTURE); DRACULA (1931) (FILM); FRANKENSTEIN (1931) (FILM); HALLOWEEN (MOTION PICTURE); HORROR GENRE; INVASION OF THE BODY SNATCHERS (MOTION PICTURE); RE-ANIMATOR (MOTION PICTURE); TEXAS CHAINSAW MASSACRE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Monster and the Mob, The: A Critical Analysis of Fritz Lang's Fury (1936) and James Whale's Frankenstein (1931) Gehring, Wes D. Film Matters 112(2): 36-41. September 2021. Subjects: FRANKENSTEIN (1931) (FILM); FURY (1936) (FILM); LANG, FRITZ Options: Download this record ; E-mail this record
Flag This Row	Reflections of Science and Medicine in Two Frankenstein Adaptations: Frankenstein (Whale 1931) and Mary Shelley’s Frankenstein (Branagh 1994). Pheasant-Kelly, Fran Literature and Medicine 36(2): 312-336. Fall 2018. Subjects: FRANKENSTEIN (1931) (FILM); MARY SHELLEY'S FRANKENSTEIN (1994) (FILM); MEDICINE; SCIENCE IN SF; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Songs of Love and Death: The Classical American Horror Film of the 1930s. Sevastakis, Michael Westport, CT: Greenwood, 1993. 232pp. Subjects: BRIDE OF FRANKENSTEIN (MOTION PICTURE); DRACULA (1931) (FILM); FRANKENSTEIN (1931) (FILM); HORROR FILMS; ISLAND OF LOST SOULS (1933) (MOTION PICTURE); MOTION PICTURES; THE MUMMY (MOTION PICTURE); WHITE ZOMBIE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Terror and Everyday Life: A History of Horror. Crane, Jonathan L. Ph.D. Dissertation, University of Illinois at Urbana-Champaign, 1991. 297pp. (DAI-A 52(7).) Subjects: AUDIENCES; FRANKENSTEIN (1931) (FILM); FRIDAY THE 13TH (MOTION PICTURE); HORROR FILMS; HORROR GENRE; MOTION PICTURES; NOSFERATU, EINE SYMPHONIE DES GRAUENS (NOSFERATU: A SYMPHONY OF HORROR) (1922) (FILM); POSTMODERNISM; THEM! (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Uncanny of Early Sound Film, The: Classic Horror Cinema and the Return of the Medium-Sensitive Viewer. Spadoni, Robert Ph. D. Dissertation, University of Chicago, 2003. xi, 271 p. (DAI-A 64(7).) Subjects: AUDIENCES; DRACULA (1931) (FILM); FRANKENSTEIN (1931) (FILM); HORROR FILMS; MOTION PICTURES; SOUND; SPECTATORS; THE MUMMY (1932) (MOTION PICTURE); WHITE ZOMBIE (MOTION PICTURE) Options: Download this record ; E-mail this record

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