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Flag This Row	“Some Walks You Have to Take Alone”: Ideology, Intertextuality, and the Fall of the Empire in The Hunger Games Trilogy. Trites, Roberta S. In: Connors, Sean P. The Politics of Panem : Challenging Genres. Rotterdam: Sense Publishers, 2014. p. 13-28. Subjects: COLLINS, SUZANNE; HUNGER GAMES, THE (SERIES); INTERTEXTUALITY Options: Download this record ; E-mail this record
Flag This Row	Jarry, Joyce and the Apocalyptic Intertextuality of The Atrocity Exhibition Brown, Richard in: Brown, Richard, Duffy, Christopher and Stainforth, Elizabeth, eds. J. G. Ballard. Amsterdam: Brill/Rodopi, 2016. p. 69-86. Subjects: ATROCITY EXHIBITION, THE (NOVEL); BALLARD, J. G.; INTERTEXTUALITY; JARRY, ALFRED; JOYCE, JAMES Options: Download this record ; E-mail this record
Flag This Row	Monster Mishmash: Iconicity and Intertextuality in Tobe Hooper's The Texas Chainsaw Massacre. Dudenhoeffer, Larrie Journal of the Fantastic in the Arts 19(1): 51-69. 2008. Subjects: HOOPER, TOBE; INTERTEXTUALITY; TEXAS CHAINSAW MASSACRE, THE (1974) (HOOPER) (FILM) Options: Download this record ; E-mail this record
Flag This Row	On Nature and the Tactility of the Senses in Blade Runner 2049. Payne, Catherine; Pitsis, Alexandra Journal of Asia-Pacific Pop Culture 3(1): 55-74. August 2018. Subjects: BLADE RUNNER (1982) (FILM); BLADE RUNNER 2049 (2017) (FILM); DYSTOPIA; HUMANITY; INTERTEXTUALITY; NARRATIVE; TOUCH Options: Download this record ; E-mail this record
Flag This Row	Pale Fire: Human Image and Post-human Desire in Blade Runner 2049. Kim, Sharon MOSF Journal of Science Fiction 3(3): 8-19. 2019. Subjects: ANDROIDS; BLADE RUNNER 2049 (2017) (FILM); DESIRE; DICK, PHILIP K.; DO ANDROIDS DREAM OF ELECTRIC SHEEP (NOVEL); INTERTEXTUALITY; NABOKOV, VLADIMIR; POSTHUMANISM Options: Download this record ; E-mail this record
Flag This Row	Telltale Narrative, A: American Horror Film and Metacinema. Teague, Savanna R. Ph. D. Dissertation, Middle Tennessee State University, 2020. 92 p. (DAI-A 81(11)(E).) Subjects: BEHIND THE MASK: THE RISE OF LESLIE VERNON (2006) (FILM); HORROR FILMS; INTERTEXTUALITY; SCREAM (1996) (CRAVEN) (FILM); SCREAM 4 (SCRE4M) (2011) (FILM); WES CRAVEN'S NEW NIGHTMARE (1994) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Towards an Aesthetics of Space: Heterotopia and Intertextuality in Contemporary Chinese Fiction. Zhao, Yuan Ph. D. Dissertation, Washington University in St. Louis, 2021. 271 p. (DAI-A 82(10)(E).) Subjects: CHINA; CHINESE SF; DONG, QIZHANG (DUNG, KAI-CHEUNG); GE, FEI (LIU, YONG); HETEROTOPIA; INTERTEXTUALITY; LIU, CIXIN; LUO, YIJUN; TAIWAN; UTOPIAS Options: Download this record ; E-mail this record
Flag This Row	Virtue as Adventure and Excess: Intertextuality, Masculinity, and Desire in the Twilight Series. Linden, Claudia Culture Unbound: Journal of Current Cultural Research 5(2): 213-237. 2013. Subjects: DESIRE; FEMINISM; INTERTEXTUALITY; MASCULINITY; MEYER, STEPHENIE; TWILIGHT (NOVEL); TWILIGHT SAGA (SERIES); VAMPIRES Options: Download this record ; E-mail this record
Flag This Row	Whedon's Great Glass Elevator: Space, Liminality and Intertext in The Cabin in the Woods. Starr, Mike Slayage 10(2)/11(1; [36/37]): [16 p.] Fall 2013/Winter 2014. (http://slayageonline.com/Numbers/slayage36.htm) Subjects: CABIN IN THE WOODS, THE (2011) (FILM); INTERTEXTUALITY; LIMINALITY; SPACE Options: Download this record ; E-mail this record

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