Bedford, Anna
in: Waltonen, Karma, ed. Margaret Atwood's Apocalypses. Newcastle Upon Tyne, UK: Cambridge Scholars Publishing, 2015. p. 71-92.
Gratkopp, Matthias
In: Power, Aidan, ed. Die Zukunft ist jetzt: Science-Fiction-Kino als audio-visueller Entwurf von Geschichte(n), Räumen und Klängen. Berlin: Bertz + Fischer, 2016. p. 3046.
Compas, Sean Matthew
Ph. D. Dissertation, University of California, San Diego, 2023. 146 p. (DAI-A 85(4)(E).)
Faithful, George
Implicit Religion 19(3): 347-370. 2016.
Brown, Jennifer
in: Olson, Debbie C., ed. The Child in Post-Apocalyptic Cinema. Lanham: Lexington Books, 2015. p. 17-40.
Allocco, Katherine
In: Brodman, Barbara and Doan, James E., eds. Apocalyptic Chic: Visions of the Apocalypse and Post-apocalypse in Literature and Visual Arts. Madison: Fairleigh Dickinson University Press, 2017. p. 29-46.
Ljujic, Tatjana
in: Ritzenhoff, Kareen A. and Krewani, Angela, eds. The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World. Lanham: Roman and Littlefield, 2016. p. 147-164.
Gooding, Richard
Jeunesse: Young People, Texts, Cultures 13(1): 342-346. Summer 2021.
Brennan, Eddie
in: Clark, Leisa, Firestone, Amanda, and Pharr, Mary F., eds. The Last Midnight: Essays on Apocalyptic Narratives in Millennial Media. Jefferson, NC: McFarland, 2016. p. 206-215.
Brooks, Harvey
in: Friedlander, Saul/Holton, Gerald/Marx, Leo/Skolnikoff, Eugene, eds. Visions of Apocalypse: End or Rebirth? New York: Holmes and Meier, 1985. p. 109-136.
Liboriussen, Bjarke
in: Clark, Leisa, Firestone, Amanda, and Pharr, Mary F., eds. The Last Midnight: Essays on Apocalyptic Narratives in Millennial Media. Jefferson, NC: McFarland, 2016. p. 216-225.
Bergeron, Patrick
in: Vas-Deyres, Natacha, et al, eds. Les Dieux caches de la science-fiction francaise et francophone (1950-2010). Bordeaux: Presses Universitaires de Bordeaux, 2014. p. 159-172.
Joachimsthaler, Jurgen
in: Jachimowicz, Aneta, Kuzborska, Alina, and Steinhoff, Dirk, eds. Imaginationen des Endes. Frankfurt am Main: Peter Lang, 2015. p. 367-392.
Schabler, Daniel
In: Brodman, Barbara and Doan, James E., eds. Apocalyptic Chic: Visions of the Apocalypse and Post-apocalypse in Literature and Visual Arts. Madison: Fairleigh Dickinson University Press, 2017. p. 89-98.
Benczik, Vera
in: Mazzeno, Laurence W. and Norton, Sue, eds. Contemporary American Fiction in the European Classroom" Teaching and Texts. New York: Palgrave Macmillan, 2022. p. 135-149.
Morrison, Philip
in: Friedlander, Saul/Holton, Gerald/Marx, Leo/Skolnikoff, Eugene, eds. Visions of Apocalypse: End or Rebirth? New York: Holmes and Meier, 1985. p. 245-261.
Mucher, Christen
In: Hay, John, ed. Apocalypse in American Literature and Culture. Cambridge: Cambridge University Press, 2020. p 84-98.
Krewani, Angela; Ritzenhoff, Karen A.
Lanham : Rowman & Littlefield, 2015. 225 p.
Bosco, Mark, S.J.
In: Bouson, J. Brooks, ed. Margaret Atwood: The Robber Bride, the Blind Assassin, Oryx and Crake. New York: Continuum, 2010. p. 156-171.
Shapiro, Jerome F.
Journal of Millennial Studies 2(2): [14 p.] Winter 2000.
Evans, Arthur B.
Science Fiction Studies 40(2): 286-300. July 2013.
Salmose, Niklas
Journal of Popular Culture 51(6): 1415-1433. December 2018.
Renner, Karen J.
Literature, Interpretation, Theory 23(3): 203-211. 2012.
Reiche, Harald A.T.
in: Friedlander, Saul/Holton, Gerald/Marx, Leo/Skolnikoff, Eugene, eds. Visions of Apocalypse: End or Rebirth? New York: Holmes and Meier, 1985. p. 21-43.
Foertsch, Jacqueline
Genre 30(4): 333-358. Winter 1997. Reprinted In: Bloom, Harold, ed. Ray Bradbury. New Edition. New York: Bloom’s Literary Criticism, 2010. p. 173-197.
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