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Flag This Row	Haunting: Trauma and the Supernatural on the Contemporary Irish Stage. Sieranski, Kristen A. Master's Thesis, Villanova University, 2020. 49 p. (MAI 81(12)(E).) Subjects: CARR, MARINA; DEMONS; DRAMA; FAIRIES; GHOSTS; HAUNTINGS; IRELAND; MCCAFFERTY, OWEN; MCPHERSON, CONOR; PORTIA COUGHLAN (PLAY); QUIETLY (PLAY); SUPERNATURAL; THEATER; TRAUMA; WEIR, THE (PLAY) Options: Download this record ; E-mail this record
Flag This Row	“Most foul, strange and unnatural”: Refractions of Modernity in Conor McPherson’s The Weir. Fogarty, Matthew Irish Gothic Journal No. 17: 17-37. Autumn 2017. Subjects: GOTHIC GENRE; MCPHERSON, CONOR; MODERNITY; WEIR, THE (PLAY) Options: Download this record ; E-mail this record

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Haunting: Trauma and the Supernatural on the Contemporary Irish Stage.

Master's Thesis, Villanova University, 2020. 49 p. (MAI 81(12)(E).)

Subjects: CARR, MARINA; DEMONS; DRAMA; FAIRIES; GHOSTS; HAUNTINGS; IRELAND; MCCAFFERTY, OWEN; MCPHERSON, CONOR; PORTIA COUGHLAN (PLAY); QUIETLY (PLAY); SUPERNATURAL; THEATER; TRAUMA; WEIR, THE (PLAY)

Options: Download this record ; E-mail this record

“Most foul, strange and unnatural”: Refractions of Modernity in Conor McPherson’s The Weir.

Irish Gothic Journal No. 17: 17-37. Autumn 2017.

Subjects: GOTHIC GENRE; MCPHERSON, CONOR; MODERNITY; WEIR, THE (PLAY)

Options: Download this record ; E-mail this record

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Search Records by Subject: WEIR, THE (PLAY)