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Flag This Row	Death's Love Songs: The American Horror Film (1931-1936) and Its Embodiment of Romantic Gothic Conventions. [Record 3 of 3 for addied subjects] Sevastakis, Michael Ph. D. Dissertation, New York University, 1979. 888 p. (DAI-A 40(5).) Subjects: MOTION PICTURES; MUMMY, THE (1932) (FILM); SUPERNATURAL (1933) (FILM); WALKING DEAD, THE (1936) (FILM); WEREWOLF OF LONDON (1935) (FILM); WHITE ZOMBIE (1932) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Zombies in der Kirche: das Zombie-Motiv als Allegorie der SÃ¤kularisierung in The Walking Dead und Fear the Walking Dead Hercenberger, Daniel Bielfeld: transcript Verlag, 2021. 374 p. Subjects: FEAR THE WALKING DEAD (TV); RELIGION; WALKING DEAD, THE (1936) (FILM); ZOMBIES Options: Download this record ; E-mail this record

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Death's Love Songs: The American Horror Film (1931-1936) and Its Embodiment of Romantic Gothic Conventions. [Record 3 of 3 for addied subjects]

Ph. D. Dissertation, New York University, 1979. 888 p. (DAI-A 40(5).)

Subjects: MOTION PICTURES; MUMMY, THE (1932) (FILM); SUPERNATURAL (1933) (FILM); WALKING DEAD, THE (1936) (FILM); WEREWOLF OF LONDON (1935) (FILM); WHITE ZOMBIE (1932) (FILM)

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Zombies in der Kirche: das Zombie-Motiv als Allegorie der SÃ¤kularisierung in The Walking Dead und Fear the Walking Dead

Bielfeld: transcript Verlag, 2021. 374 p.

Subjects: FEAR THE WALKING DEAD (TV); RELIGION; WALKING DEAD, THE (1936) (FILM); ZOMBIES

Options: Download this record ; E-mail this record

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Search Records by Subject: WALKING DEAD, THE (1936) (FILM)