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Flag This Row	Re-creating the Creature: Visions of Mary Shelley's Frankenstein. Ward, Sarah Screen Education No. 78: 72-77. Winter 2015. Subjects: ADAPTATIONS; BRIDE OF FRANKENSTEIN (1935) (WHALE) (FILM); FILM ADAPTATIONS; FRANKENSTEIN (1931) (WHALE) (FILM); FRANKENSTEIN (NOVEL); GHOST OF FRANKENSTEIN, THE (1942) (KENTON) (FILM); MOSTRO DI FRANKENSTEIN, IL (MONSTER OF FRANKENSTEIN, THE) (1921) (TESTA) (SHORT FILM); MOTION PICTURES; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Reâ€birthing the monstrous: James Whale's (Mis) reading of Mary Shelley's Frankenstein. Picart, Caroline J. S. Critical Studies in Mass Communication 15(4): 382-404. 1998. Subjects: FRANKENSTEIN (1931) (WHALE) (FILM); FRANKENSTEIN (NOVEL); SHELLEY, MARY; WHALE, JAMES Options: Download this record ; E-mail this record
Flag This Row	Reflections of Science and Medicine in Two Frankenstein Adaptations: Frankenstein (Whale 1931) and Mary Shelleyâ€™s Frankenstein (Branagh 1994). Pheasant-Kelly, Fran Literature and Medicine 36(2): 312-336. Fall 2018. Subjects: FRANKENSTEIN (1931) (WHALE) (FILM); MARY SHELLEY'S FRANKENSTEIN (1994) (BRANAGH) (FILM); MEDICINE; SCIENCE IN SF; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	Songs of Love and Death: The Classical American Horror Film of the 1930s. Sevastakis, Michael Westport, CT: Greenwood, 1993. 232pp. Subjects: BRIDE OF FRANKENSTEIN (1935) (WHALE) (FILM); DRACULA (1931) (BROWNING) (FILM); FRANKENSTEIN (1931) (WHALE) (FILM); HORROR FILMS; HORROR GENRE; ISLAND OF LOST SOULS (ISLAND OF DR. MOREAU, THE) (1932) (KENTON) (FILM); MOTION PICTURES; MUMMY, THE (1932) (FREUND) (FILM); WHITE ZOMBIE (1932) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Terror and Everyday Life: A History of Horror. Crane, Jonathan L. Ph.D. Dissertation, University of Illinois at Urbana-Champaign, 1991. 297pp. (DAI-A 52(7).) Subjects: AUDIENCES; FRANKENSTEIN (1931) (WHALE) (FILM); FRIDAY THE 13TH (1980) (CUNNINGHAM) (FILM); HORROR FILMS; HORROR GENRE; MOTION PICTURES; NOSFERATU, EINE SYMPHONIE DES GRAUENS (NOSFERATU: A SYMPHONY OF HORROR) (1922) (FILM); POSTMODERNISM; THEM! (1954) (DOUGLAS) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Uncanny of Early Sound Film, The: Classic Horror Cinema and the Return of the Medium-Sensitive Viewer. Spadoni, Robert Ph. D. Dissertation, University of Chicago, 2003. xi, 271 p. (DAI-A 64(7).) Subjects: AUDIENCES; DRACULA (1931) (BROWNING) (FILM); FRANKENSTEIN (1931) (WHALE) (FILM); HORROR FILMS; MOTION PICTURES; MUMMY, THE (1932) (FREUND) (FILM); SOUND; SPECTATORS; WHITE ZOMBIE (1932) (FILM) Options: Download this record ; E-mail this record
Flag This Row	What the Frak, Frankenstein!: Teenagers, Gods, and Postcolonial Monsters on Caprica. Thrall, James H. Extrapolation 56(2). 169-193. Summer 2015. Subjects: CAPRICA (TV); FRANKENSTEIN; FRANKENSTEIN (1931) (WHALE) (FILM); MONSTERS; POSTCOLONIALISM; RELIGION Options: Download this record ; E-mail this record

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