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Flag This Row	Inscription du passe, interactions temporelles et figurations de la hantise dans quelques films de fantomes classiques, The Uninvited (Lewis Allen, 1946), The Innocents (Jack Clayton, 1961, et The Portrait of Jennie (William Dieterle, 1946). Menegaldo, Gilles in: Vas-Deyres, Natacha and Guillaud, Lauric, eds. L'imaginaire du temps dans le fantastique et la science fiction. Bordeaux: University of Bordeaux, 2011. p. 213-226. Subjects: INNOCENTS, THE (1961) (CLAYTON) (FILM); MOTION PICTURES; PORTRAIT OF JENNIE (1948) (DIETERLE) (FILM); UNINVITED, THE (1944) (ALLEN) (FILM) Options: Download this record ; E-mail this record

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Inscription du passe, interactions temporelles et figurations de la hantise dans quelques films de fantomes classiques, The Uninvited (Lewis Allen, 1946), The Innocents (Jack Clayton, 1961, et The Portrait of Jennie (William Dieterle, 1946).

Menegaldo, Gilles

in: Vas-Deyres, Natacha and Guillaud, Lauric, eds. L'imaginaire du temps dans le fantastique et la science fiction. Bordeaux: University of Bordeaux, 2011. p. 213-226.

Subjects: INNOCENTS, THE (1961) (CLAYTON) (FILM); MOTION PICTURES; PORTRAIT OF JENNIE (1948) (DIETERLE) (FILM); UNINVITED, THE (1944) (ALLEN) (FILM)

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