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Flag This Row	CFQ retrospective: Jack Clayton's The Innocents. Rebello, Stephen Cinefantastique 13(5):51. June/July 1983. Subjects: CLAYTON, JACK; INNOCENTS, THE (1961) (CLAYTON) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Inscription du passe, interactions temporelles et figurations de la hantise dans quelques films de fantomes classiques, The Uninvited (Lewis Allen, 1946), The Innocents (Jack Clayton, 1961, et The Portrait of Jennie (William Dieterle, 1946). Menegaldo, Gilles in: Vas-Deyres, Natacha and Guillaud, Lauric, eds. L'imaginaire du temps dans le fantastique et la science fiction. Bordeaux: University of Bordeaux, 2011. p. 213-226. Subjects: INNOCENTS, THE (1961) (CLAYTON) (FILM); MOTION PICTURES; PORTRAIT OF JENNIE (1948) (DIETERLE) (FILM); UNINVITED, THE (1944) (ALLEN) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Old Dark House, The: The Architecture of Ambiguity in The Turn of the Screw and The Innocents. Tibbetts, John C. in: Chibnall, Steve, and Petley, Julian, eds. British Horror Cinema. London: Routledge, 2002. p. 99-116. Subjects: AMBIGUITY; GREAT BRITAIN; HORROR GENRE; INNOCENTS, THE (1961) (CLAYTON) (FILM); JAMES, HENRY; MOTION PICTURES; TURN OF THE SCREW, THE (STORY) Options: Download this record ; E-mail this record

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CFQ retrospective: Jack Clayton's The Innocents.

Rebello, Stephen

Cinefantastique 13(5):51. June/July 1983.

Subjects: CLAYTON, JACK; INNOCENTS, THE (1961) (CLAYTON) (FILM)

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Inscription du passe, interactions temporelles et figurations de la hantise dans quelques films de fantomes classiques, The Uninvited (Lewis Allen, 1946), The Innocents (Jack Clayton, 1961, et The Portrait of Jennie (William Dieterle, 1946).

Menegaldo, Gilles

in: Vas-Deyres, Natacha and Guillaud, Lauric, eds. L'imaginaire du temps dans le fantastique et la science fiction. Bordeaux: University of Bordeaux, 2011. p. 213-226.

Subjects: INNOCENTS, THE (1961) (CLAYTON) (FILM); MOTION PICTURES; PORTRAIT OF JENNIE (1948) (DIETERLE) (FILM); UNINVITED, THE (1944) (ALLEN) (FILM)

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Old Dark House, The: The Architecture of Ambiguity in The Turn of the Screw and The Innocents.

Tibbetts, John C.

in: Chibnall, Steve, and Petley, Julian, eds. British Horror Cinema. London: Routledge, 2002. p. 99-116.

Subjects: AMBIGUITY; GREAT BRITAIN; HORROR GENRE; INNOCENTS, THE (1961) (CLAYTON) (FILM); JAMES, HENRY; MOTION PICTURES; TURN OF THE SCREW, THE (STORY)

Options: Download this record ; E-mail this record

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Search Records by Subject: INNOCENTS, THE (1961) (CLAYTON) (FILM)