Ersin, Aylin
Master's Thesis, Eastern Mediterranean University, 2002. viii, 91 p.
Calvert, Bronwen
in: Cochran, Tanya R., Sherry Ginn, and Paul Zinder, eds. The Multiple Worlds of Fringe: Essays on the J. J. Abrams Science Fiction Series. Jefferson, NC: McFarland, 2014. p. 186-200.
McLarty, Lianne
in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.231-252.
Reed, Emilie
Science Fiction Film & Television 14(2): 169-186. Summer 2021.
No authors listed.
Vector No. 192: 9. March/April 1997.
Wilson, Scott
in: Redmond, Sean and Marvell, Leon, eds. Endangering Science Fiction Film. New York: Routledge, 2016. p. 258-272.
Shipka, Danny
in: Shipka, Danny and Beliveau, Ralph, eds. International Horror Film Directors: Global Fear. Chicago: Intellect, 2017. p. 223-238.
Demarinis, G.
Cineforum 33(1/2): 41-46. 1993.
Bernardini, Craig
in: Hantke, Steffen, ed. American Horror Film: The Genre at the Turn of the Millennium. Jackson: University Press of Mississippi, 2010. p. 161-220.
Andrews, Alice
Mosaic 44 (3): 189-203. September 2011.
Theberge, Paul
In: Hayward, Philip, ed. Off the Planet: Music, Sound and Science Fiction Cinema. Bloomington: Indiana University Press, 2004. p. 129-148.
Campbell, Mary B.
in: Grant, Barry K., ed. Planks of Reason. Metuchen, NJ: Scarecrow, 1984. pp.307-320.
Edwards, Justin D.
in: Khair, Tabish and Hoglund, Johan A., eds. Transnational and Postcolonial Vampires: Dark Blood. New York: Palgrave Macmillan, 2013. p. 67-80.
Lowenstein, Adam
Post Script 18(2): 37-51. Winter/Spring 1999.
Reiss, Jonathan
Cinefantastique 35(1): 22-27. February/March 2003.
Sinclair, Iain
London: BFI Publishing, 1999. 128 p.
Jones, Alan
Cinefantastique 31(8): 7. October 1999.
Ludlow, Peter
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 36-52.
Rodley, Chris
London, Boston: Faber and Faber, 1992. 197pp.
Magistrale, Tony
Post Script 15(2): 40-45. Winter/Spring 1996.
Stanbrook, Alan
Sight and Sound 58(1):54-56. Winter 1988/1989.
Wiater, Stanley
in: Wiater, Stanley. Dark Visions: Conversations with the Masters of the Horror Film. New York: Avon, 1992. pp.57-66.
Sammon, Paul M.
Cinefantastique 10(4):21-35. Spring 1981.
Flisfeder, Matthew
In: McFarlane, Anna, Murphy, Graham J., and Schmeink, Lars, eds. Fifty Key Figures In Cyberpunk Culture. New York: Routledge, 2022. p. 44-48.
Calvet, Yann
in: Paquet-Deyris, Anne-Marie, ed. Les Cinemas d l'horreur: Les Malefiques, ed. by Anne-Marie Paquet-Deyris. Conde-sur-Noireau: Editions Charles Corlet, 2010. p. 150-156.
Haas, Robert
Post Script 15(2): 75-78. Winter/Spring 1996.
Cornea, Christine
Velvet Light Trap No. 52: 4-14. Fall 2003.
Lucas, Tim
Cinefantastique 14(2):24-31,70. December 1983/January 1984.
Cinefantastique 14(2):32-39. December 1983/January 1984.
Schwartz, David
Jackson: University Press of Mississippi, 2021, 252 p.
McKendry, Rebekah
In: Wax; Alyse and McKendry, Rebekah, eds. Creepy Bitches: Essays On Horror From Women In Horror. Orlando FL: BearManor Media, 2021. p. 85-94.
Abbott, Stacey
in: Bould, Mark, et al, eds. Fifty Key Figures in Science Fiction. New York: Routledge, 2010. p. 56-61.
in: Goldberg, Lee, ed. The Dreamweavers: Interviews With Fantasy Filmmakers of the 1980s. Jefferson, NC: McFarland, 1995. pp.58-74.
Riches, Simon
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 91-112.
Kimber, Gary
Cinefantastique 19(1/2):86-87, 120. January 1989.
Galant, Justyna
In: Vieira, Fatima, ed. Dystopia[n] Matters: On the Page, on Screen, on Stage. Newcastle: Cambridge Scholars Publishing, 2013. p. 250-260.
Stalcup, Scott R.
Master's Thesis, Northern Illinois University, 2015. 100 p. (MAI 55(3M)(E).)
Pritchard, Duncan
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 69-76.
Laforest, Daniel
Master's Thesis, Universite de Laval, 2000. 170 p. https://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ56410.pdf
McQueen, Sean
Colloquy: text theory critique No. 21: 4-23. November 2011.
Heldreth, Leonard G.
Post Script 15(2): 46-61. Winter/Spring 1996.
Stevens, Graham
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 143-145.
McGinn, Colin
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 9-23.
Allen, Kent
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 77-90.
Staiger, Michael
In: Martig, Charles and Pezzoli-Oligati, eds. Outer Space. Reisen in Gegenwelten. Marburg: Schüren Verlag, 2008. p. 142-153.
Irwin, Jones
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 197-215.
Grace, Dominick M.
Extrapolation 44(3): 344-355. Fall 2003
Paillot, Patricia
in: Bouchet, Marie and Talairach-Vielmas, Laurence, eds. Insects in Literature and the Arts. New York: Peter Lang, 2015. p. 153-162.
Pinsky, Michael C.
Ph. D. Dissertation, University of South Florida, 1998. 292pp. (DAI-A 59(3): 815. Sept. 1998.)
Cinefantastique 20(1/2): 11. November 1989.
Illger, Daniel
in: Lotscher, Christine, ed. Transitions and Dissolving Boundaries in the Fantastic. Zurich: Lit Verlag, 2014. p. 89-98.
Meyers, Richard
in: Winter, Douglas E. Shadowings: The Reader's Guide to Horror Fiction 1981-1982. Mercer Island, WA: Starmont, 1983. pp. 119-124.
Young, Suzie Sau Fong
Ph. D. Dissertation, University of California, San Diego, 1999. 398 p.
Lee, Nathan
Art Papers Magazine 46(1): 11-18. Fall 2022.
Sulski, Jim
Fantastic Films 3(9): 42-44. June 1981.
Verniere, James
Twilight Zone 3(5):55-58. November/December 1983.
Twilight Zone 8(5):66-69, 100. December 1988.
Post Script 15(2): 3-10. Winter/Spring 1996.
Roche, David
in: Paquet-Deyris, Anne-Marie, ed. Les Cinemas d l'horreur: Les Malefiques, ed. by Anne-Marie Paquet-Deyris. Conde-sur-Noireau: Editions Charles Corlet, 2010. p. 141-149.
Beard, William
Post Script 15(2): 11-28. Winter/Spring 1996.
Kohne, Julia
in: Kohne, Julia, Kuschke, Ralph, and Meteling, Arno. Splatter Movies: Essays zum modernen Horrorfilm, ed. by Julia Kohne, Ralph Kuschke and Arno Meteling. 2nd edition. Berlin: Bertz + Fischer, 2005. p. 68-88.
In: Schmidt, Jerome and Noteris, Emilie, eds. J. G. Ballard: hautes altitudes. s.l.: Ere, 2008. p. 39-46.
Collins, Michael J.
Post Script 15(2): 62-69. Winter/Spring 1996.
Stresau, Norbert
Science Fiction Times (Germany) 27(8):11-14. August 1985.
Ableev, Daniel
Quarber Merkur No. 117: 115-126. December 2016.
Guha, Arak
in: Olson, Debbie C., ed. The Child in Post-Apocalyptic Cinema. Lanham: Lexington Books, 2015. p. 1-16.
Persons, Dan
Cinefantastique 22(5): 10-11. April 1992.
Pukallus, Horst
in: Jeschke, Wolfgang, ed. Das Science Fiction Jahr No. 8. Munchen: Heyne, 1993. p. 245-275.
Hantke, Steffen
in: Hand, Richard J./McRoy, Jay, eds. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester, UK: Manchester University Press, 2007. p. 67-81.
Wiemer, Serjoscha
in: Furst, Michael, ed. Untot: Zombie, Film, Theorie. Munchen : Belleville, 2011. p. 165-180.
Averett, Kate Leigh
Master's Thesis, University of North Carolina at Chapel Hill, 2017. 57 p. (MAI 56(5)(E).)
Palmer, R. Barton
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 175-196.
Hickenlooper, George
Cineaste 17(2):4-7. 1989.
Kokonis, Michalis
in: Pastourmatzi, Domna, ed. Biotechnological and Medical Themes in Science Fiction. Thessaloniki, Greece: University Studio Press, 2002. p. 243-274.
Shaw, Daniel
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 113-124.
Muredda, Angelo
Ph. D. Dissertation, University of Toronto, 2019. 210 p. (DAI-A 81(5)(E).)
Pearson, Brook W. R.
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 155-174.
Hurley, Kelly
in: Halberstam, Judith/Livingston, Ira, eds. Posthuman Bodies. Bloomington: indiana University Press, 1995. p. 203-224.
Turner, Sarah E.
in: Magistrale, Tony, ed. The Films of Stephen King: From Carrie to Secret Window. New York: Palgrave Macmillan, 2008. p. 141-152.
Latham, Robert A.
in: Morrison, Michael A., ed. Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood, 1997. pp.171-182.
Moseley, Daniel
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 125-142.
MacInnis, Allan
Cineaction No. 88: 34-44. 2012
Haas, Lynda; Pharr, Mary
Post Script 15(2): 29-39. Winter/Spring 1996.
Maronie, S. J.
Starlog 43: 24-28. February 1981.
Hotchkiss, Lia M.
Velvet Light Trap No. 52: 15-32. Fall 2003.
Toronto: University of Toronto Press, 2001. 469 p.
Mosaic 27(2): 113-133. June 1994.
Brottman, Mikita
Literature Film Quarterly 30(2): 126-132. 2002.
Grant, Michael
Westport, CT: Greenwood, 2000. 218 p.
Lexington: University of Kentucky Press, 2012. 232 p.
New York : Continuum, 2011. 244 p.
Maragkos, Aristotelis
Ph. D. Dissertation, University of Kent (UK), 2022. 151 p. (DAI-A 85(3)(E).) https://doi.org/10.22024/UniKent/01.02.94892 https://kar.kent.ac.uk/94892/ Embargoed (restricted to repository staff) until June 1, 2027.
Wardle, Paul
Cinefantastique 28(12): 44. June 1997
Florence, Bill
Cinefantastique 21(5): 42-44. April 1991.
Freeland, Cynthia
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 24-35.
in: Blaim, Artur and Gruszewska-Blaim, Ludmila, eds. Imperfect Worlds and Dystopian Narratives in Contemporary Cinema. New York: Lang, 2011. p. 65-76.
Shaw, Debra B.
Foundation No. 84: 22-35. Spring 2002.
Sherman, Carol
Fantastic Films 5(3; [#33]): 48-50. May 1983.
Pietrzak-Franger, Monika
in: Boller, Alessandra and Voigts, Eckart, eds. Dystopia, Science Fiction, Post-Apocalypse: Classics - New Tendencies - Model Interpretations. Trier: WVT Wissenschaftlicher Verlag Trier, 2015. p. 347-363.
Snowdon, George
in: Riches, Simon, ed. The Philosophy of David Cronenberg. Lexington: University of Kentucky Press, 2012. p. 53-68.
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