Hayward, Philip
Bloomington: Indiana University Press, 2004. 222 p.
Richards, Denzell
Critical Studies in Television 8(3): 47-64. Autumn 2013.
Ryfle, Steve
Cinefantastique 34(3/4): 38-39. June 2002.
Duncan, Jody
Cinefex No. 70: 72-109. June 1997.
Odien, Jeff
Cinefex No. 64: 96-117. December 1995.
Cinefex 47:4-59. August 1991.
Fordham, Joe
Cinefex 171: 15-28. June 2020.
Shay, Estelle
Cinefex No. 64: 121-122, 140. December 1995.
Biodrowski, Steve
Cinefantastique 17(3/4):113. June 1987.
Magid, Ron
American Cinematographer 68(12): 45-48. December 1987.
Kenny, Glenn
TV Guide 42(12): 58. March 19, 1994.
Seymour, Michael
American Cinematographer 60(8):776-777, 804-805,823. August 1979.
Cinefex No. 84: 53-62, 142. January 2001.
Anderson, H. A.; Linwood, G. D.; Westheimer, Joseph
American Cinematographer 48:714-717. October 1967.
Shay, Don
Cinefex 4: 4-31. April 1981.
Kirchner, Andreas
in: Ritzenhoff, Kareen A. and Krewani, Angela, eds. The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World. Lanham: Roman and Littlefield, 2016. p. 191-202.
Mitchell, Steve
Fantastic Films 2(9): 24-33. March 1980.
Norton, Bill
Cinefex No. 56: 54-69. November 1993.
Shannon, John
Cinefex No. 52: 79-80. November 1992.
Cinefex No. 86: 15-28, 119-122. July 2001.
Cinefex No. 82: 94-113. July 2000.
Calvert, Bronwen
In: Croft, Janet B. and Buckman, Alyson R., eds. Sisterhood, Science and Surveillance in Orphan Black. Jefferson, NC: McFarland, 2019. p. 151-165.
Ross, Patricia
Cinefantastique 23(2/3): 26. October 1992.
Garsault, Alain
Positif 479: 83-86. 2001.
Williams, David E.
American Cinematographer 80(9): 52-76. September 1999.
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